Don QuixoteNews, Casting, Videos, Reviews
Posted 29 January 2012 - 10:12 PM
Posted 30 January 2012 - 12:36 AM
Posted 30 January 2012 - 08:31 AM
This is just speculation (enhanced after reading Steven Manes' discussion of the R&J where Noelani Pantastico had to perform all 9 shows) but I have a feeling that Boal would be very willing to have several alternates available for a work like this...
Posted 30 January 2012 - 10:29 AM
Posted 02 February 2012 - 04:20 PM
For those of us who've been wondering how the cast of thousands in Alexei Ratmansky's version for Dutch National Ballet, suggested to Boal by Mikhail Baryshnikov after Bartyshnikov turned down Boal's request to stage it, would translate to PNB's 46 dancers:
Peter Boal enlisted some of his top–level dance students to fill in the gaps. And Ratmansky set out to redesign some of the Seattle crowd scenes to make them feel as big as those he made for the larger Dutch cast.
One more night!
Posted 02 February 2012 - 09:05 PM
Posted 02 February 2012 - 10:32 PM
(Select "RealAudio", High or Low settings for MP3, or "Download" to listen.)
She discusses having seen her first Ratmansky story ballet in St. Petersburg in 2008, her observations about Ratmansky during a corps rehearsal and his instructions for characterization, and what she's looking for in this production.
Posted 03 February 2012 - 09:50 AM
Posted 03 February 2012 - 09:54 AM
Posted 03 February 2012 - 10:16 AM
Posted 03 February 2012 - 01:22 PM
Posted 03 February 2012 - 01:24 PM
Perhaps it operates as Hermione Granger's handbag does in the last of the Harry Potter books -- infinitely expandable.
Posted 03 February 2012 - 04:26 PM
Posted 04 February 2012 - 09:42 AM
Before Boal and Jonathan Porretta arrived -- there was a big gala party right after the performance, and Boal greeted his guests and made a toast -- Audience Services Manager John Tangeman fielded questions. He said that the opera, which closed last Saturday, was cleared out sometime on Sunday, and that the PNB crew worked until 3am, after which the electricians showed up at 4am.
PNB dancers don't get a lot of stage time for any production, let alone one that ships in 4x as many crates as their "Nutcracker", which itself is a huge production. In some ways, dress rehearsals are the worst of both worlds, if a necessary evil: the dancers are still transitioning from the tape marks in the studio to the reality of set pieces, and adjusting to differences in proportion, spacing, and lighting, yet their in costume and everything looks bright and shiny. Sometime the dance energy is there, but that's not the focus.
Peter Boal joked that last night was a dress rehearsal (for Korbes and Cruz, anyway), but unlike for "Coppelia" and "Giselle", it didn't look it. It took about .0001 second for the audience to erupt and stand when Korbes and Cruz came out for their first curtain call.
It was great to see Alexei Ratmansky, lighting designer James Ingalls, and set and costume designer Jerome Kaplan, on stage to take their bows at the end.
0 user(s) are reading this topic
members, guests, anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases: