cubanmiamiboy, on 11 December 2011 - 01:10 PM, said:
The interview was just tasteless. Whenever Hallberg would try to get into some thoughtful comment Colbert then would start again with all that cheap comedy act. Every time I see this phenomenon-(the fact that the laughable dose seems to be mandatory for any act to be successful)-I remember a friend, a teacher of 40 plus years , who always tells me that she can't take the new school guidelines for which professors are ordered to make classes "fun". As she says, school was never meant to be fun, but to learn, many times the hard way. I think it would have been more interesting would Colbert have allowed a little more seriousness into the interview, which was short to start with, let along all the time wasted with the clown thing. And then , just as photocopying Letterman in his interview with Part, there is the necessary mocking gestures of ballet jumps and poses. The "humping" remark was plainly vulgar. Finally, when one thinks some bit of a ballet performance will be broadcast so people who has never seen it can have the opportunity to enjoy some seconds of such beautiful art, the omnipresent clownish act needs to make its necessary inclusion. How sad. Now understand why Alonso always refused to make such pseudo-appearances on TV, unless there were "real" ones... Or maybe it is just me, who was never fond of clowns, but as the saying states, to each his/her own...
Though I understand Colbert's need to inject humor into the conversation--he is a satirist isn't he?--and thought the bits about Hallberg being "a double agent" because he now dances for both the Russians (Boshoi)and Americans (ABT)ok, as well as the very relevant points (these days) about bullying, I tend to agree with cubanmiamiboy about the general tendency of most American popular tv interview programs (PBS excepted) to be snarky at the least and condescending/demeaning at the most, with the clueless ones in the middle. At least Colbert did ask a few serious questions, (though as noted, he didn't let DH reply completely), and did show some respectible dance moves; I immediately noticed Colbert's correct turnout and fifth positions, and realized he had had some training somewhere--though I was unaware of his Northwestern Univ. experience.
But actually, the whole interview/demo of Colbert/Hallberg (& Letterman/Part previously) reminded me of an interview Angel Corella did with a similarly formatted Spanish tv program a few years ago (most of these interviews are available on YT). There, too, a demo followed the sit-down interview. But this time, maybe Angel was too canny to allow himself or his art to be demeaned. In his street clothes (ie. what he was wearing during the interview), Angel only did a few moves at a barre, a pirouette (of course!) and so, only the interviewer's actions--I think he donned tights (& a tutu?) were silly. Another similarity to the Colbert/Hallberg Q&A about bullying, and wanting to confront them now with Hallberg's success and prove them wrong, was Angel's being bullied at school when young, and now the building is named after him. I do not know if Angel ever had the chance to meet those former bullies after this happened. I will say, however, (and sorry for not being that fluent in Spanish) that the interview section seemed more serious than most interviews I've seen on American popular television.