Pamela Moberg, on 27 October 2011 - 03:26 PM, said:
No, Bart, I am afraid that Robert Frost is not a household name in Sweden. Nor is Tranströmer, come to that. Sad to say, here people in general - if they read at all - are more into Stieg Larsson and Henning Mankell and Camilla Läckberg et al. Anyway, the aforementioned writers' work are are all turned into movie scripts and TV series. Nothing wrong with that, it provides entertainment for the masses, that also has a place in society.
And there is also the financial situation, nobody dares to do anything that is considered "difficult". Swedish TV always has a big drama series for Christmas, this year it will be the memoirs of a drug dealer/prostitute/jailbird. Yes, I am in it - must make some cash somehow
but I am sure it will get a very large viewing. Cant imagine that going on worldwide distribution, so you will all be spared the sight of moi
It is a very sad fact that when it comes to culture, it boils down to hard cash. As there are only 8 million people in the country and hardly anybody abroad studies Swedish; say for example a volume of poetry might sell a thousand copies which does not even cover costs. Tranströmer has sparked an interest as a laureate and will be translated into other languages, and sell reasonably well, but that is an exception, otherwise publishing houses have to rely on stuff like Girl with the dragon tattoo to keep afloat.
It is a very sad fact that when it comes to culture, it boils down to hard cash. As there are only 8 million people in the country and hardly anybody abroad studies Swedish; say for example a volume of poetry might sell a thousand copies which does not even cover costs. Tranströmer has sparked an interest as a laureate and will be translated into other languages, and sell reasonably well, but that is an exception, otherwise publishing houses have to rely on stuff like Girl with the dragon tattoo to keep afloat.
Mutatis Mutandis, I don't think Sweden is alone in this respect...



