Looking for essay
Posted 13 July 2011 - 08:32 AM
Posted 13 July 2011 - 08:56 AM
Posted 13 July 2011 - 06:43 PM
Posted 15 July 2011 - 01:28 PM
Sontag says that photography no longer lets the viewer see the world in terms of continuity and connectedness but substitutes a slightly alienating sense of “fascination” instead. Real experience deferred (my take).
And if, as Mallarmé (or Valéry) has said, the essence of ballet is interiority – not the representation of interiority, but pure interiority itself – then photography of ballet is problematic.
The dance photographs which most fascinate me the most are ones by Henri Cartier-Bresson done in the Soviet Union in the fifties; Walker’s Evans’ very flat, matter-of-fact photos of Danilova and Markova taken for Fortune for Lincoln Kirstein; and Alexei Brodovitch’s somewhat one-note photos of dancers rushing like birds from place to place in a blur.
Also, Kertesz’s Satiric Dancer.
They fail, but ask interesting questions about dance and photography and do yield some nice oblique takes on ballet. And skip the beauty part.
Posted 16 July 2011 - 03:44 PM
It is available at the NYCB Gift Bar, and perhaps online.
Posted 16 July 2011 - 03:54 PM
Posted 16 July 2011 - 06:08 PM
Posted 16 July 2011 - 11:04 PM
Aaron Scharf has an essay that might be helpful called "Painting, Photography and the Image of Movement," originally in Burlington Magazine of May 1962 but probably anthologized elsewhere. Touches on Muybridge, Etienne Jules Marey and Degas.
Mari Kálmán Meller has a very thorough discussion of Degas's use of space and placement of bodies to suggest the rhythm of ballet and its enfoldment in time. "Exercises in and around Degas’s Classrooms" Part II April 1990 Burlington Magazine (available through Jstor).
Posted 17 July 2011 - 10:59 PM
Posted 18 July 2011 - 03:47 AM
Aha! Thanks, Paul.
Posted 09 August 2011 - 12:30 PM
http://www.royalacad...ibitions/degas/ has the following:
"In the autumn of 2011 the Royal Academy of Arts will stage a landmark exhibition focusing on Edgar Degasís preoccupation with movement as an artist of the dance. Degas and the Ballet: Picturing Movement will trace the development of the artist's ballet imagery throughout his career, from the documentary mode of the early 1870s to the sensuous expressiveness of his final years.
The exhibition will be the first to present Degasís progressive engagement with the figure in movement in the context of parallel advances in photography and early film; indeed, the artist was keenly aware of these technological developments and often directly involved with them."
Perhaps there will be an associated publication.
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