ABT at the Met 2011 - Sleeping Beauty
#91
Posted 11 July 2011 - 03:03 AM
#92
Posted 11 July 2011 - 09:16 AM
I wish I had been able to see faces clearly from Dress Circle
#93
Posted 11 July 2011 - 11:20 AM
Perhaps in the future ABT should publish other commitments of their guest stars. At least that way we the ticket buyers will be better informed about the odds we are facing.
From both a business and practical standpoint, this will never happen. What would be the financial motivation to spend money tracking and publishing guest artists schedules. An artist has an obligation to fulfill the requirements of his or her contract. Beyond that is speculation. Every company is trying to get people to buy tickets, not warn them of the possibility that an artist might not appear.
Also, how would ABT, or any company for that matter, publish and keep such information up to date? And to what end? What's in it for them?
#94
Posted 11 July 2011 - 12:15 PM
#95
Posted 11 July 2011 - 12:23 PM
Vipa, I also saw the Reyes/Sterans Sleeping Beauty. I posted my thoughts about it on page 3. It's the second to the last post.
Thank you so much. I just went back and read it.
#96
Posted 11 July 2011 - 12:28 PM
#97
Posted 11 July 2011 - 12:53 PM
In the same article, he praised the dancing of the female corps de ballet and some soloists in Sleeping Beauty saying that their dancing is"finer than the Royal ballet".In today's NYTimes, Macaulay wrote that Osipova withdrew from Sleeping Beauty due to passport problems.
#98
Posted 11 July 2011 - 01:51 PM
#99
Posted 11 July 2011 - 02:39 PM
I think the "passport problem" was an official line given by Osipova's manager and ABT. Osipova regularly travels all over the world, and has done so for years. I'm incredulous that she suddenly had a "passport problem." I guess Osipova, her manager and ABT think that the general public is gullible. It would be better to offer no explanation or reason than to insult our intelligence.
I could not say one way or another, and certainly her manager needs to work more effectively with her to iron out all such problems (ahem). But I don't find the story implausible per se, because the US is so strict on visas etc. -- that's how Gelb lost a major European Opera Director for the Met. Are we to suppose he had never traveled before? I also recently had to help a non-Canadian citizen travel from Canada to the US for a short work-related visit--someone who had lived in several countries--and it was endlessly complex and delayed due to visa issues. (That does not mean that ABT does not have a right to expect these things to be sorted out; they do.)
Anyway, I am most definitely looking forward to seeing Osipova in the future!
#100
Posted 11 July 2011 - 02:57 PM
I did not see Reyes' Aurora this season, but I remember thoroughly enjoying her in the role. She seems to have an innate sense of musicality that elevates her dancing to another level.The July 6th matinee performance of ABT’s The Sleeping Beauty is noteworthy especially for Xiomara Reyes’ wonderful performance. As Aurora, Reyes stands out for her sparkling footwork. She is not a dancer known for her balances, so Reyes’ Rose Adagio is a lovely surprise. She doesn’t hold her balances for a long time, but they are all very secure. Reyes has a very flexible upper body which she uses beautifully at the beginning of the Act III grand pas de deux. Her gorgeous port de bras enriches her solo in the same pas de deux. Reyes is also a very good actress. In Act I (“The Spell”) Reyes really seems like a glowing sixteen year old ready to face life and love. She is celestial in Act II’s vision scene and a happily confident young bride in the final act.
I wish I could describe this better. I remember her dancing in Kudulka's Désir had a such a level of musicality that it was a completely different piece than when others danced the same part--one performance seemed like an incredible feat of athleticism while Reyes' was a work of art.
#101
Posted 11 July 2011 - 04:10 PM
#102
Posted 11 July 2011 - 07:15 PM
I traveled extensively for work, and I once lost a watch on the way to the airport, left my cell phone on the bed in my hotel room in Paris, and dropped my Nano somewhere on the flight from Denver to Seattle, all in the same trip. I think Osipova has far more on her mind than I did during that trip.
And Yo Yo Ma famously left his $$$$$$$ cello in the trunk of a taxi.
Of course, we only know there were passport problems, which could be a lot of things.
#103
Posted 11 July 2011 - 07:17 PM
#104
Posted 11 July 2011 - 10:34 PM
There must be some other, efficient and friendly manner to run this department, and still keep out the terrorists.
#105
Posted 12 July 2011 - 04:45 AM
I did not see Reyes' Aurora this season, but I remember thoroughly enjoying her in the role. She seems to have an innate sense of musicality that elevates her dancing to another level.
I wish I could describe this better. I remember her dancing in Kudulka's Désir had a such a level of musicality that it was a completely different piece than when others danced the same part--one performance seemed like an incredible feat of athleticism while Reyes' was a work of art.
As much as I love Veronika Part's dancing, I have to admit that Zina's opening dance in The Bright Stream (holding the book) didn't make much sense to me when I saw her dance it. It was only when I saw Xiomara dance it at a later performance that I really got how the music and the steps were meant to go together. Someone mentioned above that they never seek out her performances but are always pleasantly surprised; that's been my experience several times this season.
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