Summer reading thread
#46
Posted 04 August 2012 - 12:17 PM
bart, it comes in particularly handy because in this edition, the expressions in local dialects or colloquial language are explained at the bottom of each page along with very specific vocabulary that is likely to be unknown to the reader. Therefore I do not need to stop the flow of reading when I don't understand a passage and also have an overview of words that I might need to incorporate into my own vocabulary in case they are frequently used. Thank you for letting me know about the movie, I hadn't heard of it before! I will probably check it out after I finish reading, even though I often get the feeling of going through a check list when I watch a movie that is based on a book when I watch it after reading first.
#47
Posted 04 August 2012 - 08:50 PM
Helene, on 31 July 2012 - 09:05 AM, said:
My sister has been reading this series, also very slowly, but has been frustrated with the sheer size of the books (she's a reader-in-bed, and like the Gottlieb "Reading Dance," they are awkward to hold up. Her solution, with the older books, is to buy used copies and cut them down the spine into more manageable pieces. I cringed at first, to see a book sliced up like that, but she's mending them when she's done.
#48
Posted 04 August 2012 - 08:52 PM
#49
Posted 05 August 2012 - 03:24 PM
#50
Posted 06 August 2012 - 01:28 PM
sandik, on 04 August 2012 - 08:50 PM, said:
Helene, on 31 July 2012 - 09:05 AM, said:
My sister has been reading this series, also very slowly, but has been frustrated with the sheer size of the books (she's a reader-in-bed, and like the Gottlieb "Reading Dance," they are awkward to hold up. Her solution, with the older books, is to buy used copies and cut them down the spine into more manageable pieces. I cringed at first, to see a book sliced up like that, but she's mending them when she's done.
My mother used to read gigantic nonfiction books and then give them to me. I rarely read them because I could not hold them in bed, or carry them on a train. She kept her books, and everything else, in pristine condition. All my books are bent, worn, and stained. Thank you for making me think about her.
I am reading Gelsey Kirkland's book, having put Nancy Goldner's book aside for the moment. I have learned so much about dance performance, artistry, dance history, and creativity from Gelsey's book, which is very well written. Too bad all I heard about it before was that it was about "anorexia, drug use, and bad sex with Misha."
I am supplementing my reading with lessons by video, too. This weekend, in addition to reading Gelsey's book, I watched, "Bringing Balanchine Back", "The Dream", "Children of Theatre Street" and "Choreography by Balanchine." I am awed by Herman Cornejo and Wendy Whelan.
I also saw Bolshoi's old production of "R&J". Are all of these productions so dark?
#51
Posted 06 August 2012 - 02:27 PM
LiLing, on 05 August 2012 - 03:24 PM, said:
I've been meaning to pick up that one. It sounds like good summer reading. Admirably forthright title.
#52
Posted 01 September 2012 - 06:31 PM
#53
Posted 02 September 2012 - 12:02 AM
Richard Wright's "Black Boy-(American hunger)"
Rudolph Bing's "5000 nights at the Opera".
Just started:
Milan Kundera's "The Unbearable Lightness of Being"
#54
Posted 02 September 2012 - 04:07 AM
How did you like Bing's book, cubanmiamiboy?
#56
Posted 02 September 2012 - 11:17 AM
dirac, on 02 September 2012 - 04:07 AM, said:
I enjoyed it a lot, dirac! Bing's stories are written in a very straightforward, seemingly honest account. One senses that he was particularly inclined toward certain singers-(Milanov,Nilsson, Tebaldi),and others for which he wasn't -(most infamously, Sills). Still, at many times during the lecture one bumps into his thoughts at recognizing mistakes made and poor choices. One substantial part is dedicated to a very meticulous narration of the financial status of the MET during his tenure. It looks to me as if he was repeatedly attacked on this matters and wanted to clarify the issue at once. His chapter dedicated to Callas was interesting..no vitriol whatsoever...just a plain description of the issues he faced with the diva and the reasons behind her departure. He was particularly biased toward artists-(singers and conductors)-whose names had been somehow involved with the Nazis. At one point, in the beginning of his tenure, he even refused to invite Von Karajan to work.
#57
Posted 01 December 2012 - 04:26 PM
*Dancing from the Heart: A Memoir by Frank Augustyn
*The Runaway Dragon by Kate Coombs
*In the Company of Stars: The Paris Opera Ballet by Gerard Uferas
*Violins of Autumn by Amy McAuley
*The Suspicions of Mr. Whicher: A Shocking Murder and the Undoing of a Great Victorian Detective by Kate Summerscale
*The Watch That Ends the Night: Voices from the Titanic by Allan Wolf
*Karen Kain: Movement Never Lies by Baren Kain
*Flipped by Wendelin Van Draanen
*Monster by Walter Dean Myers
#58
Posted 01 December 2012 - 10:48 PM
I suppose it's probably time for a new "What are you reading?" thread, summer having long passed, alas....
#59
Posted 02 December 2012 - 11:37 AM
#60
Posted 03 December 2012 - 06:13 PM
dirac, on 01 December 2012 - 10:48 PM, said:
Good question!
Murder Most Austen was a total disappointment. I was really looking forward to it because it incorperated Northanger Abbey, one of my favorite novels by Austen, but how its use was disappointing, as well as the mysetry itself.
Both Ausgutyn's and Kain's books were very insightful. Flipped was a surprise, the first YA book I've read in a very long time that I truly, simply enjoyed
0 user(s) are reading this topic
members, guests, anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases:



