So Ratmansky's Symphonic Dances
premiere took place last night. The Arsht Center was full of socialites and a gala was to happen post performance. The program consisted in Dvorák's Carnival Overture, Balanchine's "La Valse"
and Ratmansky's work. La Valse is definitely one of my favorite Balanchine ballets. The intriguing movements of the three opening ballerinas, with their mysterious aloofness and hand gestures paired with the 1947 Christian Dior/New Look/Couturier Parfumeur
-inspired costume designs always makes for a wonderful ballet night opening. I really like this work. It talks to me of many things. I always see a hidden message in there on people's needs to overcome tragedy and keep waltzing and living despite loss and death. What a wonderful ballet. Villella's favorite couple Kronenberg/Guerra
did the honors, and this is a ballet that Miss Kronenberg can really execute. Not too much technical demands but a real need to look glamorous and tragic onstage. The Angel of Death was Reyneris Reyes
, which with his full head of black hair and handsome muscular carriage was perfect for the role.Ratmansky's "Symphonic Dances"
is set to Rachmaninoff's same title work. Lots of great music, unremarkable choreography. The Cleveland Orchestra did a terrific job, and the costume designs for the second movement was really pretty, with multi colored Greek tunic-inspired outfits for the women and some sort of tuxedos for the men. For the very final accord of music Ratmansky devised a Lepeshinskaya era inspired self throw of the ballerina-(Miss Nathalia Arja
)-on her back to her partner's arms, to which the audience went crazy. The troupe received lots of applauses, and Ratmansky went onstage to take his bows, along with costume designer Adeline Andre
and the orchestra conductor Giancarlo Guerrero
Afterward my guest Bart Birsdall and I went to have Cuban food at Versailles.