Yes, I could see that conclusion, however, what I'm confused about is how doing doubles and triples work with the music. It seems obvious to me (but perhaps I'm wrong) that a double takes less time than 2 singles, and a triple even less time than 3 singles. But there is a consideration working against that too since clearly a double takes longer than a single.
So something has to "give". I don't know the answer, but I've always assumed that when a ballerina does a double instead of a single that counts as 1 fouette (as was pointed out it's 32 fouettes, not 32 pirouettes). Since the double must take slightly longer, I've assumed that the conductor carefully watches the coordination btwn the dancer and the orchestra, and when doubles or triples occur the conductor slows the tempo ever so slightly to keep the next fouette in sync with the music. It's hard for me to believe that a double counts as 2 fouettes because then an even larger speed-up of the orchestra would then be necessary in order for the ballerina and the music to stay in sync and to end at the same time.