Question #11: Is Hilarion a good guy, or a bad guy?
Posted 22 April 2001 - 05:06 PM
In the Beaumont libretto, Hilarion is the villain. He's not an evil man, but an intelligent rather arrogant one (and coarse as well, but he's used to being Top Dog in that village). He acts in revenge because Giselle scorned him. I've seen interpretations where Hilarion thinks that if I only tell her the truth, then she'll love me. Not in the original. He wants to publicly humiliate her, it seems. He finds the sword and mantle and picks his moment to reveal them -- when everybody is there to watch, 36 seconds after Giselle is crowned Queen of the Harvest.
What interpretations have you seen? Do you like him as a hero or a villain?
Posted 24 April 2001 - 09:47 PM
After all, doesn't he stand up for true National Loyalty in supporting the marriage of his Duke (Albrecht) to the daughter of the Duke next door(Bathilde)? Isn't he acting on behalf of Family Values by exposing a fraud (and an outsider, yet?) Isn't he generous(rabbits)? Isn't he spritually moved by Giselle's death to stand a vigil at her graveside? Isn't he the Boy next Door?
We figured out, we OHDL, a ballet to some of the "Mam'zelle Angot" score for Albrecht to get Carabosse, Giselle to get Dr. Coppélius, Myrtha to get Golfo(they were deliriously happy with one another) and Hilarion, who had spent most of his time up a tree to escape the tirading Wilis and some lost Polvetsians, got the Prettiest Girl In The Company, all courtesy of the Sugar Plum Fairy!
How we proposed to keep Civil War from breaking out over the PGITC company part, I don't think we ever resolved.
Posted 26 April 2001 - 09:24 PM
He didn't get the holographic sequins or the jaunty velvet beret, but he got that great green outfit and Those Boots to show off his beats......
[ 04-26-2001: Message edited by: Juliet ]
Posted 27 April 2001 - 10:13 AM
Posted 27 April 2001 - 10:50 AM
who had the green outfit and lots of extra dancing to do ? I thought it was Wilfrid who had the outfit like he came out of a crackerjack box.....
Posted 27 April 2001 - 11:22 AM
Posted 27 April 2001 - 12:25 PM
I'll check. I could have sworn it was the Bolshoi production......not important, really--
Posted 13 August 2010 - 08:38 AM
He seemed to expect Giselle to love him, at least partly because he was relatively wealthier and held a rather higher social position, which I imagine suffocated Giselle, who liked dancing, i.e., a girl who was not so interested in something practical and pragmatic and hated to be fettered by such things (I think she couldn't accept her actual social class). Or, simply because he loved her. When unanswered, his emotion revealed what it truly was - he, who actually loved himself, decided to ruin Giselle's love, and further, herself. Or, he was just foolish in believing that without Albrecht, Giselle would have loved him, which in turn also shows the degree of his love - a love for the then available one, not for the right one.
Posted 13 August 2010 - 08:44 AM
I always love Hilarion better. I mean even his name is cooler and he gets to dress up like Robin Hood. You really can't beat that.
Posted 13 August 2010 - 08:47 AM
Albrecht realizes what he has done in the opening of ACT II when he walks to the grave site. Is he sad that Giselle has died? Yes. But I think his true emotion is that he has led her to her death and he realizes the pain he has caused and feels guilt, not love.
Posted 13 August 2010 - 09:41 AM
One could consider Giselle a good natured but silly peasant girl that rebukes a perfectly good husband candidate to fall stupidly in love with a charming stranger. The rebuked solicitor realizes that the charming stranger is of high rank and, probably wants only to have a roll in the hay with Giselle, and forget her. So Hilarion decides to show Giselle the wrongness of her ways but, alas, he misjudges Giselle frailty and causes her death.
It could be considered also that the night of sex and prompt fleeing of her paramour will cause the death of Giselle.
And so, one may conclude that the evil one in this history is Albrecht. And then that stupid girl goes and saves the culprit from the gentle hands of Myrtha.
Posted 13 August 2010 - 10:27 AM
In that production, Hoppe struck me as one of the most genuinely "good" Hilarions I've ever seen.
Hoppe crafted a youthful and rather light character who is genuinely infatuated with Giselle and quite gracious about it. For example: his delight and spontaneity while presenting his gifts of food and flowers, or filling Giselle's mother's pitcher of water). He was (as usual) the only person in this daft little village to have doubts about the obviously elegant young man, attended by a rather grand servant, who had recently moved into town and seemed to be in the process of charming and seducing the naive Giselle.
This Hilarion's growing mistrust of Albrecht was touching.(It helps when you do the mime well, as Hoppe did.) He is not the brightest lightbulb in the world, so his miming of puzzlement and his attempts to solve the puzzle struck me as genuine and rather sweet.
His big scene -- the revelation that Albrecht is nobleman -- did not have the the feeling or force of an act of vengeance. He was, for me, the detective (young Sherlock?) out to astonish his neighbors with his discoveries and, at the same time, save Giselle from a fate worth than death.
This Hilarion was a well-meaning agent of Giselle's madness and death. It was Albrecht, however, and his deceptions that were the cause.
There are disadvantages as well as advantages to a "good" Hilarion.
The biggest loss to Act I is that Hilarion is more interesting if he conveys a sense of menace and makes you wonder how far he will go. (Some Hilarions have actually been so desperate that they are scary.)
One advantage to Act II, however, is that I found myself really caring about Hilarion's fate at the hand of the wilis, something I usually don't think about at all.
Posted 13 August 2010 - 10:44 AM
Posted 13 August 2010 - 11:11 AM
Posted 13 August 2010 - 11:49 AM
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