Seo must be injured. Shevchenko has now replaced Seo for the NJPAC performance this Saturday. Previously, Seo was the first listed ballerina for this Saturday's Seven Sonatas performance.
Seven Sonatas
C. Shevchenko
X. Reyes
S. Abrera
D. Hallberg
H. Cornejo
G. Saveliev
Nutcracker Season at BAM
Started by
mussel
, Jul 16 2010 08:52 PM
114 replies to this topic
#106
Posted 17 November 2010 - 06:22 PM
#107
Posted 07 December 2010 - 03:35 AM
The current issue of Pointe has an article on the ABT Nutcracker entitled "Bittersweet Fairy Tale", by Elizabeth Kendall. It is based on a discussion with Ratmansky from a few months ago. Some excerpts follow:
-- "A tall order: to make a Nutcracker that's light enough for children and dark enough for adults; pure enough to be classical, surprising enough to be new."
-- "His new snow scene won't be the usual witty benediction, but instead, 'a bit dangerous, not sweet.' His first-act party scene won't be 'all hobbyhorses and frilly petticoats, not quite as warm as usual.'"
-- "And he wants to deepen the grand pas de deux between the Sugar Plum Fairy and her cavalier .... The music for that pas de deux seems to him 'strangely unrelated' to the action taht comes before. 'It adds a lot of dramatic color to quitea light story. For me it sounds like Tchaikovsky's painful look back on the beautiful ties of childhood and growing up. Like looking from a distance.'" Query whether the grand PDD is between the grown up Clara and the cavalier, or the SPF and him as described? There is a SPF in the new Nutcracker, but she is not played by the lead ballerina.
-- "A tall order: to make a Nutcracker that's light enough for children and dark enough for adults; pure enough to be classical, surprising enough to be new."
-- "His new snow scene won't be the usual witty benediction, but instead, 'a bit dangerous, not sweet.' His first-act party scene won't be 'all hobbyhorses and frilly petticoats, not quite as warm as usual.'"
-- "And he wants to deepen the grand pas de deux between the Sugar Plum Fairy and her cavalier .... The music for that pas de deux seems to him 'strangely unrelated' to the action taht comes before. 'It adds a lot of dramatic color to quitea light story. For me it sounds like Tchaikovsky's painful look back on the beautiful ties of childhood and growing up. Like looking from a distance.'" Query whether the grand PDD is between the grown up Clara and the cavalier, or the SPF and him as described? There is a SPF in the new Nutcracker, but she is not played by the lead ballerina.
#108
Posted 09 December 2010 - 09:47 AM
The Guggenheim Works & Process presentation on the ABT Nutcracker has excerpts linked below:
http://www.youtube.com/worksandprocess
http://www.youtube.com/worksandprocess
#110
Posted 17 December 2010 - 06:01 AM
I received a full-color, multi-page brochure from ABT. There is a two-page piece on the Nutcracker, which I excerpt below:
"first scene set in the kitchen ... Of the 19th-century household where children watch the preparations for the Christmas eve meal. And it is in the kitchen were we first encounter ... the mice!"
"If the [mice] are vivid, they remain whimsical: a celebrated painting of the pot-bellied Napoleon by the painter Jacques-Louis David served as inspiration for Hudson's design of an elegantly (sic) frock coat-attired, corpulent Mouse King."
"... ABT's new staging offers some twists and surprises. In the first act, the Christmas tree in the parlor grows at the enchanted hour to expansive dimensions as in other productions, but the parlor also accommodates a chair that amplifies to towering proportions and from which Clara watches the battle between the opposing forces. In the second act, four dancing bumblebees join in the 'Waltz of the Flowers'. Perhaps most significantly, young Clara and the Nutcracker in the first act are transformed into Clara, on the brink of young adulthood, and the Nutcracker Prince. Together, they dance the ballet's climactic pas de deux to Tchaikovsky's sweeping music...."
The article also contains a photo of details from the Sugar Plum Fairy's costume. It looks like the bodice is a light turqouise cloth material that contains prints of red and pink roses. The bodice is laced up using what seems to be light yellow string in the back.
"first scene set in the kitchen ... Of the 19th-century household where children watch the preparations for the Christmas eve meal. And it is in the kitchen were we first encounter ... the mice!"
"If the [mice] are vivid, they remain whimsical: a celebrated painting of the pot-bellied Napoleon by the painter Jacques-Louis David served as inspiration for Hudson's design of an elegantly (sic) frock coat-attired, corpulent Mouse King."
"... ABT's new staging offers some twists and surprises. In the first act, the Christmas tree in the parlor grows at the enchanted hour to expansive dimensions as in other productions, but the parlor also accommodates a chair that amplifies to towering proportions and from which Clara watches the battle between the opposing forces. In the second act, four dancing bumblebees join in the 'Waltz of the Flowers'. Perhaps most significantly, young Clara and the Nutcracker in the first act are transformed into Clara, on the brink of young adulthood, and the Nutcracker Prince. Together, they dance the ballet's climactic pas de deux to Tchaikovsky's sweeping music...."
The article also contains a photo of details from the Sugar Plum Fairy's costume. It looks like the bodice is a light turqouise cloth material that contains prints of red and pink roses. The bodice is laced up using what seems to be light yellow string in the back.
#111
Posted 17 December 2010 - 12:21 PM
But if the Grand Pas de deux is danced by Clara...then what is the Sugar Plum Fairy doing in the story...?
#112
Posted 21 December 2010 - 11:26 AM
http://www.nasdaq.co...pen12212010.txt
See the fourth photo from the left. I think the ballerina in the weird turban on the left of the photo, with the medium turquoise outfit, could potentially be the Sugar Plum Fairy character in the ABT Nutcracker.
The reason is that the recent ABT brochure with the three corps ballerinas dressed in white on the front cover, shows a close-up picture inside of the bodice/waist area of the SPF's costume. It really looks like the same area of this person's costume.
See the fourth photo from the left. I think the ballerina in the weird turban on the left of the photo, with the medium turquoise outfit, could potentially be the Sugar Plum Fairy character in the ABT Nutcracker.
The reason is that the recent ABT brochure with the three corps ballerinas dressed in white on the front cover, shows a close-up picture inside of the bodice/waist area of the SPF's costume. It really looks like the same area of this person's costume.
#114
Posted 22 December 2010 - 07:38 PM
Did anyone attend the unofficial prima tonight? I'm dying to know what the production is like (though will find out in 18 hours or so for myself!).
The pictures of Veronika in the NYT were so dreamy...
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