What are you reading?Summer 2010
#16
Posted 15 August 2010 - 10:48 AM
http://www.dailymail...e-Fat-Lady.html
#17
Posted 15 August 2010 - 02:07 PM
Which translation of 'Anna Karenina' have you got, Rosa? I bought the recent one promoted by Oprah but haven't got round to it yet. It's been highly praised, though.
Daphne du Maurier is nobody's Tolstoy but it's hard to dislike 'Rebecca.'
#18
Posted 22 August 2010 - 06:59 PM
Hugo's "Hunchback of Notre Dame"
Georgette Heyer's "Death in the Stocks" (This is only the second mystery of hers I've read, and was struck by how similar both stories were.)
Presently I'm reading Charlotte Bronte's "The Professor."
dirac, on 15 August 2010 - 02:07 PM, said:
Daphne du Maurier is nobody's Tolstoy but it's hard to dislike 'Rebecca.'
My "Anna Karenina" is translated by Louise and Aylmer Maude. It took me a very long time to get through it; there were parts of it I didn't get, particularly the final part.
"Rebecca" was a quick read, and a vast improvement over "My Cousin Rachel." Hard to resist. ;)
#19
Posted 22 August 2010 - 08:17 PM
'Rebecca' is just that, hard to resist. I agree with you about 'My Cousin Rachel.' The only other du Maurier I read apart from those two was 'The Scapegoat,' which wasn't bad but was still resistible.
#20
Posted 22 August 2010 - 08:48 PM
#21
Posted 22 August 2010 - 08:52 PM
#22
Posted 22 August 2010 - 09:18 PM
#23
Posted 22 August 2010 - 09:30 PM
#24
Posted 23 August 2010 - 11:01 AM
#25
Posted 23 August 2010 - 12:47 PM
This in turn led to a discovery (for me): David Wishart's detective series, set in Rome during the reign of Tiberius and featuring a young Roman nobleman Marcus Valerius Messalla Corvinus.
I found a couple of the volumes in our public library system and read them out of order, something I usually don't do. Now -- thanks to Amazon's used book suppliers -- I've ordered the others in the series and will read those in order.
I've just started Ovid, first in the series. It begins with the unwillingness of someone very high up in the Imperial government to allow the poet's family to retrieve his ashes from his place of exile and disgrace on the Black Sea.
There's a real mystery: what did Ovid do or know ten years ago that got him expelled beyond the farthest limit of the Roman world? why are people so terrified to talk about about what happened, even now that he is dead?
There's a skeptical, inquisitive, persistent, likeable sleuth who bends the rules but is honorable deep down. There's a beautiful if unconventional female client.
I especially like Wishart's grasp of political and social background and his ability to convey a plausible period "feel," despite Corvinus's democratic tendencies (odd for a Roman patrician) and fondness for mid-twentieth century slang (think Sam Spade or Travis McGee).
Unlike many popular writers of historical fiction, Wishart knows his period well. His is the best kind of erudition: one which infuses the text without showing off or overwhelming you.
#26
Posted 23 August 2010 - 04:04 PM
bart, on 23 August 2010 - 12:47 PM, said:
This in turn led to a discovery (for me): David Wishart's detective series, set in Rome during the reign of Tiberius and featuring a young Roman nobleman Marcus Valerius Messalla Corvinus.
I found a couple of the volumes in our public library system and read them out of order, something I usually don't do. Now -- thanks to Amazon's used book suppliers -- I've ordered the others in the series and will read those in order.
I've just started Ovid, first in the series. It begins with the unwillingness of someone very high up in the Imperial government to allow the poet's family to retrieve his ashes from his place of exile and disgrace on the Black Sea.
There's a real mystery: what did Ovid do or know ten years ago that got him expelled beyond the farthest limit of the Roman world? why are people so terrified to talk about about what happened, even now that he is dead?
There's a skeptical, inquisitive, persistent, likeable sleuth who bends the rules but is honorable deep down. There's a beautiful if unconventional female client.
I especially like Wishart's grasp of political and social background and his ability to convey a plausible period "feel," despite Corvinus's democratic tendencies (odd for a Roman patrician) and fondness for mid-twentieth century slang (think Sam Spade or Travis McGee).
Unlike many popular writers of historical fiction, Wishart knows his period well. His is the best kind of erudition: one which infuses the text without showing off or overwhelming you.
Bart,
If you haven't read them yet, you might enjoy Robert Harris' three Roman novels, Pompeii, Imperium, and Conspirata. The last two are, believe it or not, page-turners about Cicero told from the point-of-view of his slave-secretary, Tiro (who apparently really did invent a form of shorthand). They're pretty accurate, witty, lots of fun -- and a useful reminder that as far as politics goes nothing has changed over the last two millenia.
I read Ursula LeGuin's Lavinia earlier this summer, and recommend that too, although its about Rome before Rome was really Rome. (It's LeGuin's take on the life of the woman Aeneas married when he and his band of Trojans arrived in Latium. Lavinia says nary a word in the Aeneid, so LeGuin has given her a voice.)
I seem to be on a genre fiction kick at the moment: I just finished China Mieville's two latest works, The City and the City and Kraken as well as several of Terry Pratchett's Discworld books. The City and the City is a police procedural wrapped in a modern urban fantasy: two Eastern European cities occupy the same physical space, but their respective residents are trained from birth not to perceive the existence of the other city and its inhabitants. The whole premise is fascinating; one city seems to be secular-Christian, the other secular-Muslim. Kraken makes sly fun of just about every sci-fi / urban fantasy trope out there (as does Pratchett, of course), topped off with some of Mieville's signature, ingenious grotesqueries.
I'm in the middle of Gary Shteyngart's Super Sad True Love Story -- a funny and bleak dystopia about the near-future -- which I'm enjoying despite the bleakness.
#27
Posted 23 August 2010 - 05:37 PM
Kathleen O, on 23 August 2010 - 04:04 PM, said:
Bart,
If you haven't read them yet, you might enjoy Robert Harris' three Roman novels, Pompeii, Imperium, and Conspirata. The last two are, believe it or not, page-turners about Cicero told from the point-of-view of his slave-secretary, Tiro (who apparently really did invent a form of shorthand). They're pretty accurate, witty, lots of fun -- and a useful reminder that as far as politics goes nothing has changed over the last two millenia.
I can add my two cents here. These have been part of my reading this summer. I loved Pompei and Imperium and I started Conspirata over the weekend. They fall into the "historical novel" category but there is enough that is based on actual history to keep them honest. Agree lots of fun and great page turners!
#28
Posted 23 August 2010 - 05:44 PM
Kathleen O, on 23 August 2010 - 04:04 PM, said:
I will definitely check out Lavinia, as you suggest.
#29
Posted 24 August 2010 - 02:12 AM
#30
Posted 24 August 2010 - 04:41 AM
Mme. Hermine, on 24 August 2010 - 02:12 AM, said:
I have seen the film starring Constance Bennett(also producer)and Gracie Fields who give good performances but I found it rather a creaky old film.
I am interested in films depicting the 1939-1945 war in Europe as my father fought in it. I googled the book today and found the following period review.
http://www.time.com/...,850371,00.html
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