Jump to content


This site uses cookies. By using this site, you agree to accept cookies, unless you've opted out. (US government web page with instructions to opt out: http://www.usa.gov/optout-instructions.shtml)

Your first live Giselle......do you remember her...?


  • Please log in to reply
38 replies to this topic

#31 Hans

Hans

    Sapphire Circle

  • Moderators
  • PipPipPipPipPipPipPip
  • 2,104 posts

Posted 13 June 2010 - 07:14 PM

That is interesting; my memories of Serrano as a teacher are quite different--she was warm and humorous, but very direct. Of course she had high standards, but she was the sort of teacher one wants to please because one enjoys her classes, not because one is afraid of her. It is not uncommon, though, for there to be a difference between a public persona vs. teaching persona.

As I recall, my first live Giselle was Julie Kent, and while she was not an artist on the level of, say, Amanda McKerrow, she was a convincing actress and very beautiful technically. There are certain things she did in that performance that I have not seen anyone else do as well--especially in Act II she and Carreno worked together to achieve the most ethereal, subtle effects. For example, during a series of supported arabesques voyagés, Carreno simply carried her across the stage so that she appeared to magically float without ever coming down. And during her series of entrechat-quatre, relevé retiré, she substituted retiré sauté for the relevés, making the entire sequence airborne and using her épaulement to make it all look effortlessly angelic.

#32 nijinsky1979

nijinsky1979

    Member

  • Member
  • PipPip
  • 31 posts

Posted 14 June 2010 - 12:54 AM

Marianna Tcherkassky, with Wes Chapman as Albrecht.

#33 little-junkie

little-junkie

    Member

  • Member
  • PipPip
  • 65 posts

Posted 27 February 2011 - 09:42 PM

I know it's been a while before this post had another reply but here is my first live Giselle...

I remember one day my aunt took me to a theatre, I was probably 4 or 5, and I remember the line-up before seated. I remember seeing a girl and a guy dancing together and was interrupted by another guy on stage, and was extremely confused about the story and bored, then I fell asleep. That is my first live Giselle.

Not until some year later, on June 5, 1988 to be exact, I went to see Giselle with one of my friends, and then right when Hilarion came out and questioned Giselle about her love to Albrecht in Act 1, I suddenly remembered that it was Giselle that my aunt took me to see.

By the way, my "second" live Giselle was with Hong Kong Ballet, a matinee, with Ayako Yoshikawa as Giselle and Mark Hawkins as Albrecht (not sure if anyone has heard of them, Hong Kong Ballet was a young and much smaller company back then). I have kept the program all these years and it's still like new.

#34 richard53dog

richard53dog

    Platinum Circle

  • Senior Member
  • PipPipPipPipPipPipPip
  • 1,401 posts

Posted 28 February 2011 - 06:39 AM

My first was Fonteyn/Nureyev, it was Fonteyn's last Giselle in NY ca 1969. Honestly, I only remember fragments of the performance; a little of Fonteyn's mad scene and how she used her hands and wrists in Act 2.

A month or two later I saw Fracci and Bruhn and that performance (at what was then called the Garden State Arts Center) I remember more clearly.

#35 leibling

leibling

    Senior Member

  • Senior Member
  • PipPipPip
  • 209 posts

Posted 28 February 2011 - 07:11 AM

Marianna Tcherkassky. I have never forgotten her amazing, liquid bourees.

#36 bart

bart

    Diamonds Circle

  • Board Moderator
  • PipPipPipPipPipPipPipPip
  • 7,320 posts

Posted 28 February 2011 - 07:25 AM

Thanks, little-junkie, for reviving this thread. You brought back a hazy childhood memory of a Giselle even earlier than the Lupe Serrano performance I posted earlier. I can distinctly remember the village scene, the look of costumes, ets, etc. I must have been quite young, possibly 8 or 9.

For some reason, it is the Hilarion who sticks in my memory, perhaps because he's treated rather badly in the story and doesn't get much respect. No one on stage seems to care about Hilarion. His "creeping-about" music is rather spooky, too.

I remember where we were sitting -- a stage-left box, still my favorite seat for ballet -- and the rather elegant but shabby theater. So why don't I remember Giselle herself? If I do, it's gotten mixed up with numerous other Giselles over the years since then.

The performance must have been Ballet Theater, or possibly one of the last seasons of the Ballet Russe. It wasn't the old Met. Could it have been in a Broadway theater taken over for the ballet season? I'm trying to recall something from Act II (other than poor, mistreated Hilarion). I suspect that all those white tutus have gotten mixed up in my memory with white tutus in other ballets, especially Swan Lake, which I know I saw several times before the age of 10.

#37 liebs

liebs

    Bronze Circle

  • Senior Member
  • PipPipPipPip
  • 495 posts

Posted 28 February 2011 - 08:12 AM

My first Giselle was Nadia Nerina with David Blair as Albrecht at the Royal. I was on a European trou with my ballet instructor and a group of girls. We sat in a box. Soemwhere I still have the program and the diary I kept of that trip. Later in the trip, we spent two weeks studying with Harold Kreutzberg in Berne, Switzerland.

#38 MakarovaFan

MakarovaFan

    Bronze Circle

  • Senior Member
  • PipPipPipPip
  • 461 posts

Posted 28 February 2011 - 09:17 AM

My first was Ferri and Bocca in 1991. Simply sublime.

#39 Paul Parish

Paul Parish

    Platinum Circle

  • Senior Member
  • PipPipPipPipPipPipPip
  • 1,925 posts

Posted 28 February 2011 - 09:47 AM

Great topic, Cristian.

I was a grad student living in England. My first Giselle was Antoinette Sibley, with Anthony Dowell; they were making a debut of some kind, I THINK as a pair, and sadly, I wasn't moved much by their performance itself -- I was really impressed by the hoopla, which involved daffodils being thrown down from the upper balconies onto the stage until the dancers were ankle deep in yellow flowers. It was almost on the scale of a political demonstration, and maybe for that reason I was struck by the staginess of it all and kinda repelled.

I loved Sibley and Dowell in Swan Lake, it was one of the great experiences of my life -- it was early in my career of going to the ballet and the first major disappointment, though I'd noticed already that sometimes things that were supposed to be great did not make me feel much of anything. When I first read King Lear, I didn't see what all the fuss was about, either.

I didn't feel the power till later -- Alicia Alonso's in Berkeley in the 70s, Makarova and Dowell in Berkeley, Lorna Feijoo's in Berkeley with your great Cuban ballet, and Sarah van Patten's this year in SF are the great performances I've seen live.


0 user(s) are reading this topic

0 members, 0 guests, 0 anonymous users


Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases (adblockers may block display):