Kirov in Toronto 2011
Posted 01 March 2011 - 12:27 PM
Posted 01 March 2011 - 12:49 PM
I also look forward to seeing Assylmuratova's protege, Viktoria Brileva, in something other than the corps, as she will dance in the 'Four Big Swans' and the Fiancees in Toronto. She was one of the 'Fan Girls' in Act II of Bayadere; it's impossible to not notice that face, even when she's sitting down watching an elephant pass by.
And I'll enjoy 'The Little General' (Martynyuk) once again, this time in the Pas de Trois (with Shirinkina and Timofeev at my perf). Oh...and I even get Petushkova in the Spanish. It's the 'Dream Team'!
Well, I'm now 'all set' with a great ticket to see the Divine Kondaurova's Odette/Odile on Saturday afternoon.
Posted 01 March 2011 - 07:49 PM
As am I! I didn't plan to spend 3 days in Toronto or to see 4 Swan Lakes but I really can't complain about a Lopatkina-Kondaurova-Lopatkina-Tereshkina weekend!
Sometimes change is good!
Posted 02 March 2011 - 07:46 AM
Sometimes change is good!
Change can indeed be a wonderful thing! (wink) Even if casts are switched again (which I doubt), I'll love whoever dances on Saturday afternoon. IF the Swan corps is like that of the Bayadere Shades, I suspect that you'll notice the difference between this corps of ladies and the ones in DC's Giselle run, a couple of weeks ago. DC's crew was fine, if not 1980s/early-90s quality; they were indeed 80s/90s quality at the Ottawa Bayaderes.
Enjoy all of your performances!
Posted 03 March 2011 - 02:17 AM
Very positive but it appears that Terioshkina overcame a bad fall here too, just as in Ottawa last Sunday. I remember her falling a couple of times at the Kennedy Center a while ago(her entrance in Corsaire, for ex). She is a risky dancer...a-la Ashley Bouder of NYCB.
Edited to add:
Toronto Globe and Mail's review is also out (Mar 3):
Posted 03 March 2011 - 10:37 AM
Posted 03 March 2011 - 11:02 AM
I'll post something after I return, most likely on Monday. Hopefully nysusan and any other BalletTalkers attending might also be posting impressions. (hint-hint)
Posted 03 March 2011 - 08:21 PM
I'm not bringing a laptop with me so unless my hotel has a computer for their guests to use you won't see anything from me until I'm back in NY
Posted 04 March 2011 - 08:58 PM
What a magnificent performance of Swan Lake tonight. It starts with Lopatkina. This is the second time I've seen her O/O. The first time was before her dvd came out and I was so overwhelmed by her exquisite plastique and the beauty of her every movement that I couldn't really take in the totality of her performance.
This time was different - I was very moved by her performance. I can't believe that people have described her O/O as being cold or remote or studied - though perhaps her interpretation has changed over the years. Tonight she was so tragic, so in love with Korsuntsev's Siegfried. It was a wonderful performance. And Korsuntsev was great, too. Perhaps he isn't the world's most exciting dancer but he has solid technique, the most elegant lines you can imagine and he is all a ballerina could want in a partner
The corps was flawless - moving, even breathing like one organism. The whole company was in top form. There was an unannounced substitution in the Prince's Friends pas de trois. Maria Shirinkina danced, I think she replaced Kasenkova but if so Cheprasova is blonder and thinner than I remember. Both of the pdt dancers were lovely and Shirinkina really stood out in small corphee roles in the white acts.
Posted 06 March 2011 - 08:57 AM
I've seen Shirinkina in the pas de trois at each performance with either Cheprasova or Martynyuk - no Kasenkova so far (one more to go this afternoon - with Tershkina and Schklyarov). They were all wonderful! I don't know any of the male dancers who were cast for the pdt so its impossible to say if there were casting changes. They were all fine with the Tomifeev (sat mat) a little weaker than the rest, fudging his landings just a bit and almost falling out of the pose at the end of his variation - but these were minor slips, they were all more than good. The Sat night casting listed Alexander Perish who was my favourite - could that have been the british dancer Xander Parish?
The national dances in act 4 were all fabulous. There was one dancer in the Polish dance that I really loved but alas I couldn't identify her from the program. She is a small, maybe sightly older brunette and I'm pretty sure that she also impressed me in the Mazurka from the 3rd act of Raymonda in NY a few years ago. She had such a spark you couldn't take your eyes off of her.
The corps was fabulous, absolutely fantastic. This has been a great weekend and there's still one performance to go!
Posted 07 March 2011 - 06:47 AM
Toronto, Ontario, Canada (Sony Centre for the Arts)
Saturday, March 5, 2011 - 2 p.m.
First and foremost, I offer the highest kudos to the corps de ballet, especially the swans in the lakeside scenes, who confirm my view from last week's Ottawa Bayaderes that this is truly an ensemble on the way back up to USSR standards. They lift our souls with their incomparable artistry. Bravi Tutti!
Ekaterina Kondaurova was EXQUISITE - one of the finest Odette/Odiles of our time, certainly the most satisfying for me from the Mariinsky in a long time and very close to Veronika Part's extraordinary interpretation at ABT. Unlike her somewhat-cold but lovely Nikiya in Bayadere (in Ottawa) last week, Kondaurova here displayed an unexpected softness, tenderness and passion in the lake acts and, of course, was the expected Plisetskaya-like Diva as Odile, the black swan. Superb series of 32 fouettes, going "single-single-double" throughout the entire course. Her soft bourrees were delivered as pearls on a necklace. The only noticeable hicup in her technique was a slightly-ragged finish to the pirouette-en-attitude that Odette performs in the final scene, during the start of the storm scene, just before Siegfried enters to look for her. Other than that - delightful. Pure poetry. Brava!
Yevgeny Ivanchenko supplied impressive lifting power, propelling Kondaurova to the most difficult, higher variation of lifts possible, including the very high "upside down" hoists during the 'chugging' diagonal of the White Swan pdd. Alas, he was quite weak and lackadaisical in his solo moments and in dramatic interpretation...weaker than his recent Albrecht in DC or his Solor in Ottawa. [Kondaurova needs an excellent Siegfried. It would be great if David Hallberg could be her guest partner in an upcoming Mariinsky Festival Swan Lake.]
The Pas de Trois was uneven. Maria Shikinkina and, especially, my "little general" Valeria Martynyuk were both fabulous...with Martynyuk delivering one of the highest series of jetes assembles in the coda, with many in the audience gasping 'wow!' This lady has incredible elevation - simply mind boggling. What a shame, then, that the unannounced Male soloist -- the bland Andrei Soloviev; absolutely not Alexei Timofeev cited in the programme -- marred what could have been a special Pas de Trois.
It was not a great matinee for the male classical soloists, with Ilya Petrov out of his element as a low-jumping Jester (disappointing, as I fondly remember his humpbacked horse at the premiere of that work in St Petersburg). Perhaps the best solo male dancing came from the unannounced Konstantin Zverev as Von Rothbart, dancing in place of Soloviev, who, as mentioned above, was the unannounced male soloist of the Act I Pas de Trois. [Changes confirmed to me by Mariinsky personnel back at the One King West Hotel, where the company and husband-and-I were staying.]
The National Dances of Scene iii (ballroom) were all splendidly performed, with soloists deserving praise:
Spanish - As fiery a quartet as can be imagined, bringing back memories of my first look at a live Swan Lake from this company in Wolf Trap, VA, 1986: ultra-glamorous Maria Sheviakova (of 'Beauty in Motion' fame) with Islom Baimuradov on the left; my current 'Queen of Character Dancers' Anastasia Petushkova with Karen Ioannisyan on the right.
Neapolitan - performed with conviction and a touch of humor by Anna Lavrinenko and Alexei Nedviga
Hungarian - danced with refined epaulement and convincingly aristocratic airs by Yulia Stepanova and Boris Zhurilov
Polish Mazurka - a first-class performance by all four couples, especially -- as nysusan pointed out -- feisty brunette veteran Alisa Sokolova with Dmitry Sharapov as the first 'solo couple' in the slow section, and newcomer svelte blonde Svetlana Siplatova with Dmitry Pukachev who danced the 'solo couple' at the end of the fast section, just before Sokolova/Sharapov began the slow. [Siplatova was also a standout in one of the four featured couples in the Act I waltz by the corps.]
As mentioned earlier, the female corps of swans was magnificent. Among them were two spot-on Quartets of Swans: "Big Swans" Daria Vasnetsova (who has already essayed the lead role back home and will hopefully do so again soon), Anastasia Petushkova (yes, she "does classical tutus and pointes", too but, to me, is a heeled-shoe specialist), Viktoria Brileva and Alisa Sodolieva; and Little Swans ("Cygnets") Svetlana Ivanova, Valeria Martynyuk, Elizaveta Cheprasova and Maria Shirinkina moving as one in the most delicate (not choppy) manner imaginable...with Ivanova and Cheprasova being the two swans who 'break away' to dance the demi-solo segment of the Valse in Scene ii. In the final act, the two "Valse Bluette" swan-soloists were the excellent Maria Shirinkina and Anastasia Nikitina, the latter looking healthier than at her Washington, DC, Don Q appearances two years ago.
Lastly, how could I *not* mention the Master of Ceremonies at the ball, Vladimir Ponomaryov (uncredited in the playbill), who knows how to milk a pose for all it's worth? It's always a joy to see him on the stage.
The glorious Mariinsky Ballet was rewarded with an instant standing ovation from a highly-appreciative Toronto audience. It may have been soggy outside, but in the cavernous Sony Centre (O'Keefe Theatre of old), there was only sunshine and warmth.
...writing on Monday, March 7, after a lovely day in snowy-but-sunny Niagara Falls with my dear husband and 'partner in travel crime,' Vadim.
Posted 07 March 2011 - 07:31 AM
p.s.s. After these huge triumphs abroad (Myrtha in DC, Nikiya in Ottawa and, especially, Odette/Odile in Toronto), if Kondaurova is not promoted to Principal "pronto," then the directorship of the Mariinsky Ballet must be lobotomized...slowly, without anesthesia.
- - - - -
Nysusan, I enjoyed reading your impressions and am thrilled that Lopatkina delivered a top-notch performance with warmth. It looks like our 'regal ballerinas' are warming things up, compared to reports of recent-past. How were Terioshkina and newly-appointed principal, Shklyarov, yesterday? I'm curious if the promotion was publicly announced, i.e., if Yuri Fateev, Interim Ballet Director (his title as per programme), came onto the stage after the show to let everyone know the big news (a-la POB 'etoile' announcements)? Other notable solo performers yesterday?
Posted 07 March 2011 - 01:09 PM
Posted 07 March 2011 - 01:21 PM
I had booked Fri night 2 weeks ago, thinking it would be 'Special K' then saw the final casting on the Sony Centre website (also posted above, on this thread, the day of the opening). I really wanted to see 'Special K's' Odette/Odile. Luckily I had not booked airline/hotel as I awaited fares to drop on Thursday...so all worked well. Husband came along at last minute and we still could do everything economically. My only loss was the cost of the Friday night ticket but it was 'made up' in other ways.
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