What Are You Reading?Winter 2010
Posted 07 March 2010 - 01:50 PM
I had the same difficulty and I find Wiley most readable for dipping purposes - when I have questions about the original "Swan Lake," for example, or any other specific area where curiosity requires satisfaction.
Posted 07 March 2010 - 03:24 PM
What I plan to get to next will be more serious, and I really want to read this: Eyal Weizman's 'The Hollow Land: Israel's Policy of Occupation', but no NYPL copy and the cheapest on eBay or amazon is going to be $25 + with the shipping. I'll look at the Strand. I've gotten spoiled about the books, and won't buy them unless they're going to be an art book or something you couldn't get any other way.
Posted 07 March 2010 - 06:49 PM
Posted 07 March 2010 - 07:14 PM
Owing to the complexities of our county public library system, I'm reading the books out of order. So far, Dead Lagoon (4th in the series but the first I read) is the one that absorbed me the most. Only Cosi Fan Tutti (which draws its improbable subplot from Mozart's opera) is the only disappointing volume.
Posted 07 March 2010 - 10:31 PM
You could borrow my sister's philosophy -- buy it, read it, sell it.
Posted 08 March 2010 - 12:49 PM
However, I've begun one Italian lit book that's on the reading list for one of my tutees: The Garden of the Finzi-Continis by Giorgio Bassani. It takes place beginning the 1930's in Italy, and is about a Jewish family. So I know right there that this is going to be a sad read.
Posted 08 March 2010 - 01:13 PM
Posted 08 March 2010 - 03:28 PM
The De Sica film is very sad but also very atmospheric. I've never read the book either but was moved by the film.
Posted 09 March 2010 - 07:06 AM
Posted 09 March 2010 - 10:21 AM
I read this a few years before the film was made. Bassano, as a novelist, has the advantage of being able to devote more time and attention to context. This, for me at least, always enriches characters, especially when their fates are so entwined with matters of social class, religious identity, the rise of Fascism, etc. There is something very singular about life in Ferrara -- with its subclass of wealthy, educated, assimilated Jews, living in denial about Fascism and then having to cope with it --- that the novel captures well.
It would be interesting to take a look at novel and film side by side. De Sica, as I remember it, opted for a simpler, more visually beautiful, more elegiac, more "glamourous" treatment. This works as a film -- I can still see a number of the scenes in my visual memory, decades later, especially Dominique Sanda's Micol -- but it is not the whole story.
P.S. There are those who criticize Visconti's The Leopard for getting bogged down with too MUCH context. For me, that is what makes the film so memorable. But this may just be a matter of personal taste.
Posted 15 March 2010 - 08:30 PM
Posted 17 March 2010 - 05:15 PM
Posted 22 March 2010 - 04:47 PM
Scanning through this thread, yours is seemingly the only DANCE book people are reading here. I read the Ashton bio quite some time ago and loved it. I assume you are referring to the Julie Kavanaugh one.
I have just been re-reading a paperback I picked up back during the 1980s called DANCE AS LIFE by Franklin Stevens. It's about a season he spent with American Ballet Theater, not as a dancer but as an observer. As I joined ABT a year or so after he was there and the book was published, I know he wrote a very accurate account of the daily life in American Ballet Theater. I wonder if you or anyone else has ever read that fascinating book, now out of print.
Another thing is that I actually knew Franklin Stevens when we were teenage dance students at the same time in NYC. Same teachers, same kind of strugging dance student life.
I don't think he has written much else, but Ive often wondered if Franklin is still around or whatever became of him. If anyone on Ballet Talk has heard of him or know anything about him, I would really like to know so I could get in touch.
I've also just finished "Somewhee" the life of Jerome Robbins. It's incredible to see the amount of research Amanda Vaill must have done to write this fascinating biography because Robbins was such a complicated man.
Posted 22 March 2010 - 05:23 PM
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