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THE MAGIC FLUTE-(1893. IVANOV/DRIGO)Alicia Alonso's revival and staging for the CNB


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#1 cubanmiamiboy

cubanmiamiboy

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Posted 05 January 2010 - 02:26 PM

January 1893 saw the premiere of a ballet with the title of The Magic Flute, choreographed by Lev Ivanov and music by Riccardo Drigo. The event took place at the Imperial School of Ballet in St. Petersburg. 24 years later, on February 13, 1917, Anna Pavlova danced the lead character during the premiere of the ballet in Cuba, at the National Theater (now the Grand Theater of Havana). 92 years later, the work was again seen in the same stage, revived and reworked by Mme. Alonso and her Company during the 19th. International Ballet Festival of Havana.
The action takes place in a French village in the late eighteenth century. Farmers celebrate the apple harvest. Lucas, a young villager, and Elisa, the farmer's daughter, are passionately in love, but the girl's parents oppose the union...

THE MAGIC FLUTE
Comedy-ballet in one act
Original Choreography: Lev Ivanov
Revival and staging for the Cuban National Ballet: Alicia Alonso
Music: Riccardo Drigo
Costume/set designs: Ricardo Reymena
Lighting: Ruddy Artiles

Viengsay Valdes as Elisa.


Another variation, by the latest rising little star of the Company: Grettel Morejon
http://www.youtube.c...feature=related

#2 innopac

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Posted 05 January 2010 - 11:52 PM

Cubanmiamiboy, do you think there is a possibility they will film this? Can you tell us more about the ballet?

I hope one day we can see it in its entirety.

#3 cubanmiamiboy

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Posted 06 January 2010 - 08:02 AM

Glad you liked it, Innopac. Alonso's company is certainly way due on releasing material. Because of this whole generations of dancers are practically unknown to the rest of the world-(many of those whom I've included in the 60's,70's,80's ballerinas series). I know that everything is filmed, and keeps lying either in Alonso's personal arcades or some of her close friends. I myself witnessed one time a room FILLED with vieotapes,catalogued by performance, performers and dates. I guess that some stuff can't even go through the legal path-(like Balanchine's Waltz Academy), but others are just screaming to see the light, like some of Alonso's XIX century repertoire recreations.


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