NutcrackerMissing Variation?
#1
Posted 16 September 2009 - 12:59 PM
One of our friends is a director of a ballet school in the US. We were comparing notes on Nutcracker, since between my husband, myself, and him we have staged hundreds of performances (i wish i was exagerating). So he showed us a clip of his latest production and included a variation that i have never seen, with music that I have never heard before. He said it was included in Tchaikovsky's original score, but as of yet I have not found it. Can anyone point me in the right direction??? Or is this not even true? Help!
#2
Posted 16 September 2009 - 01:33 PM
Who dances this "missing" variation...?-(which character..?) Which act...?
#3
Posted 16 September 2009 - 02:01 PM
#4
Posted 16 September 2009 - 03:09 PM
Quote
#5
Posted 16 September 2009 - 03:40 PM
Fraildove, on Sep 16 2009, 06:01 PM, said:
Actually, the Marzipan variation is Danish. The original notation of the steps shows a lot of taqueterie and pirouettes one-on-pointe, double-on-demi, that recall how the Danes danced à la Bournonville. French, or maybe Belgian, might be Mother Ginger.
#6
Posted 16 September 2009 - 03:44 PM
vrsfanatic, on Sep 16 2009, 04:09 PM, said:
Quote
#7
Posted 16 September 2009 - 04:18 PM
That is really interesting about Marzipan. I have never seen the original notation, and the version I am most familiar with is the pas de trois that is done with students... A la Mariinsky. I know it is not mother Ginger Ashe uses that as well. Actually he uses the familiar score with all variations that are standard. Hmmm...
#8
Posted 16 September 2009 - 04:21 PM
#9
Posted 16 September 2009 - 05:05 PM
#10
Posted 16 September 2009 - 06:23 PM
i don't know who first associated this w/ Marzipan, but certainly Balanchine did, since '54.
for the record Tchaikovsky's 'sweets' (or not) are in order:
Le chocolat
Le café
Le thé
[Trépak] no connection to a confection
[Mirlitons] again no connection to a sweatmeat
[Pas des 32 polichinelles et de la mère Gignone avec ses petits enfants qui sortent de la jupe]
an essay from a soviet ballet magazine about Petipa claims that the once was the intention to include a dance named for 'cream pastries' in the divertissement suite, but i've never heard anything else about this.
#11
Posted 16 September 2009 - 06:50 PM
rg, on Sep 16 2009, 09:23 PM, said:
That's It! Cream pastries. Any idea if it was originally included in the score, or if it was performed in any Nutcracker around that period?
#12
Posted 16 September 2009 - 07:10 PM
#13
Posted 16 September 2009 - 07:10 PM
the music was never composed, to the best of my knowledge; the reference was in a essay on the early plans for NUTCRACKER, and if i recall correctly, the libretto soon changed to what we now know with no further ref. to this idea.
the list of numbers i indicated above indicates the only compositions that have been specifially associated with divertissement for THE NUTCTRACKER since its 1892 premiere.
#14
Posted 16 September 2009 - 10:58 PM
Act II Divertissements
9-First Dance
Chocolate, Spanish Dance. 3/4 from 64 to 80 bars.
10-Second Dance
Coffee. Arabian. The Kingdom of Yemen. (Coffee Mocha)
Eastern Dance from 24 to 32 bars of cloying and bewitching music
11-Third Dance
Tea. allegretto of the Chinese type, little bells, etc: 48 bars.
12-Fourth Dance.
Trepak, for the end of the dance, turning on the floor.(Obrouchky)
Quick 2/4. 64 bars.
13-Fifth Dance.
Dance of the Flutes.
Tempo Polka, 64 to 90 bars. They dance, playing on little pipes made of reed, with bobbles on the ends.
14-Sixth Dance
Dance of the 32 Buffoons, with Mere Cigogne and her little children climbing out of her skirts and the head.
64 bars, 2/4 accentuaded rythm, not fast, which combines with 48 bars, 3/4 for the entrance of Mere Cigogne and her children jumping out of her skirt. Then 2/4 becoming much quicker, from 32 to 48 bars. At the end a group with Mere Cigogne in the middle of the Bufoons. A Grand Ballabile!
...then, Petipa's notes proceed with the Valse des Fleurs FOR 36 DANSEURS AND 36 DANSEUSES, dressed like flowers who carry a large bouquet and present it to the Prince and his Bride, followed by the Grand PDD-(complete with the two variations and Coda)-and the final Grandiose Andante.
#15
Posted 17 September 2009 - 12:38 AM
0 user(s) are reading this topic
members, guests, anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases:



