Dances Set to Steve Reich's Drumming
Posted 26 August 2009 - 09:45 AM
Posted 26 August 2009 - 10:19 AM
Posted 26 August 2009 - 10:25 AM
I misremembered that Dorothy Hamill skated in it, but according the review, she skated solos to pieces by Chopin and Puccini. I thought they gave her a modern piece that really stretched her, but that was only in my imagination.
Jean Pierre Bonnefoux's "Meditation" got a great review from Ms. Dunning, as did Twyla Tharp's "After All"; Lar Lubovitch's piece, not so much. As far as skating choreographers go, the review notes that Lori Nichol and Lee Ann Miller were in the performances.
Posted 26 August 2009 - 11:06 AM
Back to Steve Reich, here's a link to a brief biography of Reich that mentions his collaborations with dancemakers. Maybe this will job some better memories.
Posted 26 August 2009 - 11:07 AM
Last year there were performances of “Steve Reich Evening (Ballet)” at both the Edinburgh Festival and Sadlers Wells with the Ictus Ensemble, Steve Reich, Rosas and Anne Teresa de Keersmaeker
The works performed were: Drumming-Part One, Eight Lines, Piano Phase, Four Organs, Violin Phase, Music for Pieces of Wood, Pendulum Music
Choreographed by Anne Teresa de Keersmaeker
I did not see the performances but you can get an idea from:
Posted 26 August 2009 - 01:37 PM
Posted 26 August 2009 - 04:51 PM
Posted 26 August 2009 - 05:24 PM
Posted 27 August 2009 - 05:36 AM
I would like to see the Laura Dean dance set to Drumming (in its entirety!) but, like so much of Dean's work, I wonder if it is even revivable at this point. Now that Dean herself is a semi-recluse and there's no company devoted to preserving her work, her dances would appear to be as endangered as any species in the animal kingdom. Interesting how stuff that was all the rage at one point can disappear so quickly . . .
Posted 30 August 2009 - 06:07 PM
BALLET: 'FORCE FIELD, BY LAURA DEAN, IN PREMIERE BY THE JOFFREY
By ANNA KISSELGOFF
Published: April 4, 1986
ROBERT JOFFREY was the first artistic director to invite the experimental modern-dance choreographers who emerged from the 1960's and the 1970's to work with a major ballet company.
The company is, of course, the Joffrey Ballet and the latest entry in this category is an exhilarating and complex new extravaganza by Laura Dean. ''Force Field'' is her third ballet for the company, and its New York premiere Wednesday night at the State Theater showed Miss Dean working on a new and expansive block-busting scale.
Costumed completely in white and danced with the human equivalent of jet propulsion, ''Force Field'' is the ''Sylphides'' of the space age.
The new ballet, set to a metallic-sounding tape of Steve Reich's ''Six Pianos,'' employs a cast of 20 but has the density and appearance of twice that number. Miss Dean has always known how to fill a stage, even in her most reductionist days, when she honed her choreography down to a deliberately limited vocabulary and the simplest of geometric patterns.
Posted 01 September 2009 - 06:24 AM
Wikepedia isn't always reliable so what's written may not be accurate . . .
Posted 01 September 2009 - 01:40 PM
Posted 01 September 2009 - 04:25 PM
I thought it read like her lawyers had written it!
Maybe she's just decided to do what I think Martha Graham wanted to do but didn't do -- let the works die with her.
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