Documentaries, good and bad
#31
Posted 18 January 2012 - 03:16 PM
#32
Posted 18 January 2012 - 03:24 PM
Quote
I caught part of this on cable recently and although I have the greatest respect for your opinion, Kathleen, I couldn't watch it for very long. I felt sorry for them but it was all rather repellent and I couldn't find any reason to go on watching the poor things. I've sat through more repulsive sights, so I can't really explain this reaction.....
#33
Posted 19 January 2012 - 07:09 AM
dirac, on 18 January 2012 - 03:24 PM, said:
Quote
I caught part of this on cable recently and although I have the greatest respect for your opinion, Kathleen, I couldn't watch it for very long. I felt sorry for them but it was all rather repellent and I couldn't find any reason to go on watching the poor things. I've sat through more repulsive sights, so I can't really explain this reaction.....
Oh, it's definitely uncomfortable to watch those two women disintegrate along with their house, all the while carrying on as if it were a completely reasonable way to live. And although they clearly revel in the Mayles' attention, you have to wonder if it wouldn't be the better part of valor to grant them the privacy they don't seem to want.
#34
Posted 19 January 2012 - 08:11 AM
Kathleen O, on 19 January 2012 - 07:09 AM, said:
dirac, on 18 January 2012 - 03:24 PM, said:
Quote
I caught part of this on cable recently and although I have the greatest respect for your opinion, Kathleen, I couldn't watch it for very long. I felt sorry for them but it was all rather repellent and I couldn't find any reason to go on watching the poor things. I've sat through more repulsive sights, so I can't really explain this reaction.....
Oh, it's definitely uncomfortable to watch those two women disintegrate along with their house, all the while carrying on as if it were a completely reasonable way to live. And although they clearly revel in the Maysles' attention, you have to wonder if it wouldn't be the better part of valor to grant them the privacy they don't seem to want.
I agree that it's uncomfortable to watch--somehow more now than even before (I actually can't anymore)--but maybe remembering the historical context helps: what did the Maysles think the documentary needed to do in 1975 that it hadn't done before? This is the same kind of reaction/question I think many of us now have about the work of Diane Arbus, too.
#35
Posted 19 January 2012 - 11:01 AM
Quote
Hard to say, isn't it? As you note, they clearly don't mind the camera and they probably enjoyed having someone take an interest, any interest. The question is whether you exploit that need, but I guess it's asking too much of human nature to ask a filmmaker to pass up such an opportunity.
#36
Posted 22 January 2012 - 11:41 AM
#37
Posted 22 January 2012 - 10:22 PM
#38
Posted 23 January 2012 - 01:02 PM
dirac, on 22 January 2012 - 10:22 PM, said:
Oh yes. The subject matter (the daily lives of Carthusian monks in the Grande Chartreuse ) is interesting to begin with. But beyond that, Gröning's method of treating the subject is profoundly respectful. Because Gröning doesn't interpret what he sees.
There is no narrative to speak of, and no extra-diegetic matter (voice-over, music, etc) to help the viewer along. In short, the film makes no attempt to be an entertainment. It proceeds at its own pace and in its own way: 3-hours of tableux, with hardly a word spoken.
Nevertheless, the images Gröning captures with his camera are very powerful, and have a way of sinking into a viewer's consciousness. Sometimes, at the office, I'll find myself thinking about something I saw in the film: an old monk, racked with arthristis, working in his vegetable garden.
#39
Posted 23 January 2012 - 02:14 PM
Quote
It sounds as if he's taken a page from Frederick Wiseman's book.
BTW, Kerry1968, welcome to the forum.
#40
Posted 26 January 2012 - 07:40 AM
#41
Posted 30 January 2012 - 08:38 PM
#42
Posted 31 January 2012 - 03:01 AM
http://www.childrenofchabannes.org/
Quote
as well as Angels Too Soon
http://www.wttw.com/...2C7%2C1%2C1%2C2
Quote
#43
Posted 31 January 2012 - 04:46 AM
A companion docu-drama is Dirty Pictures (2000), with James Woods playing Dennis Barrie, director of the Cincinnati Contemporary Arts Center. Barrie was charged with obscenity when the Center showed the touring Mapplethorpe exhibit that caused so much consternation in Congress in the late 80s and early 90s. The film includes considerable actual news footage and shows much of the actual exhibit.
#44
Posted 31 January 2012 - 12:06 PM
4mrdncr, on 30 January 2012 - 08:38 PM, said:
I never caught the name of the full documentary, but it seemed to be something made for British television. Would that be the same documentary you saw, 4mrdncr? Do you know whether it is available in dvd?
#45
Posted 31 January 2012 - 12:10 PM
The look in the eyes of the people as they are being filmed went straight to my heart.
I also think that the rating of the film is a real shame because it will stop the film being shown in high schools.
A Film Unfinished website http://www.afilmunfi...d.com/film.html
"For almost half a century, an unfinished Nazi propaganda film of the Warsaw Ghetto, simply titled “Das Ghetto” and discovered by East German archivists after the war, was used by scholars and historians as a flawed but authentic record of ghetto life. Shot over 30 days in May 1942 — just two months before deportations to the Treblinka extermination camp would begin. . . ." New York Times Review: http://www.nytimes.c...unfinished.html
"Two-thirds of the 31 year old Hersonski's film consists of the original Nazi propaganda footage - including out-takes. The rest is comprised in part of the wrinkled faces of a handful of Warsaw ghetto survivors grimly watching an actual screening of the film and offering commentary (some clearly remember the Wermacht cameramen at work). Using an actor, Hersonski has also re-enacted the actual post-war testimony of one of the film's original German cameramen (now deceased)." Huffington Post review: http://www.huffingto...e_b_682030.html
0 user(s) are reading this topic
members, guests, anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases:



