Royal Ballet in CubaJuly 2009
#16
Posted 18 July 2009 - 12:03 AM
#18
Posted 19 July 2009 - 12:14 AM
bart, on Jul 17 2009, 04:02 PM, said:
#19
Posted 19 July 2009 - 01:21 PM
#20
Posted 20 July 2009 - 08:40 AM
bart, on Jul 17 2009, 07:02 PM, said:
That can't be correct. The Washington Ballet went a couple of years ago. It was a big deal, partly since Septime Webre (the AD) is part Cuban.
Thanks for the links, everyone!
#21
Posted 20 July 2009 - 12:38 PM
cinnamonswirl, on Jul 20 2009, 12:40 PM, said:
bart, on Jul 17 2009, 07:02 PM, said:
That can't be correct. The Washington Ballet went a couple of years ago. It was a big deal, partly since Septime Webre (the AD) is part Cuban.
Thanks for the links, everyone!
By "international," they mean of international stature, i.e., the Big Six (Bolshoi, Kirov, POB, Royal-UK, ABT and NYCB). As much as we love our WB, it's a smallish (19 + 4 apprentices) chamber troupe. It sometimes appears bigger when its numbers are fortified by the Studio Company and students of the WB School during Nutcrackers and other larger works. Other smallish companies from outside Cuba have performed on the island during the past three decades, certainly during the biennale International Ballet Festival on even-numbered years.
Bart, after 1980, it was very difficult for the Bolshoi and Kirov to tour far from home, unless subsidised by the foreign presenters (i.e., Hochhausers, Kennedy Center, The Met). There was a little something called 'The Afghanistan War' which depleted the coffers.
#22
Posted 20 July 2009 - 04:07 PM
#23
Posted 10 August 2009 - 12:50 PM
Cuba Libre!
20 photographs as well.
#24
Posted 10 August 2009 - 01:40 PM
Jane Simpson, on Aug 10 2009, 04:50 PM, said:
I especially love the sense that people have that high art can be popular and entertaining, and that access to it should be every person's right. This is slowly dissipated in the United States and Britain, where access to such a variety of entertainments and cultures means that everyone can pursue his or her own interests, often ignoring or even scorning others.
Tamara Rojo makes a marvellous point about this:
Quote
#25
Posted 10 August 2009 - 03:01 PM
#26
Posted 10 August 2009 - 07:12 PM
Jane Simpson, on Aug 10 2009, 04:50 PM, said:
Cuba Libre!
20 photographs as well.
Thank you Jane.
I found the caption with Alexandra Ansanelli's photograph a bit too touching. She will be missed.
#27
Posted 10 August 2009 - 08:50 PM
#28
Posted 10 August 2009 - 09:08 PM
"On stage, Ansanelli takes her bows to a divided audience..."
#29
Posted 25 August 2009 - 07:42 AM
The Royal Ballet came to Cuba at the end of their summer tour to Washington and Grenada, and brought with them a small group of Royal Ballet supporters who made individual donations to the tour. This was supplemented with unprecedented support-in-kind from the Cuban Ministry of Culture, Performing Arts Council and a small amount of local British support. Cuban journalists are now talking about the visit of the New York Philharmonic Orchestra in the autumn, these visits considered by many to be the most high-profile cultural exchanges with ‘the West’ since the revolution in 1959. In addition, Ballet Boyz (ex Royal Ballet dancers) have made a documentary about the visit which will be shown on TV towards the end of the year
http://www.britishco...ballet-cuba.htm
I don't have further details but I assume this will be on Channel 4 (as for their Wheeldon at the Bolshoi documentary).
#30
Posted 25 August 2009 - 12:35 PM
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