Are you a Balletomane...?
#16
Posted 07 May 2009 - 05:34 PM
#17
Posted 07 May 2009 - 08:33 PM
#18
Posted 08 May 2009 - 03:25 PM
#19
Posted 08 May 2009 - 03:47 PM
Your point is a good one, but as stated, I think it excludes too much. Altho it's true that a balletomane is likely to have a great deal of knowledge, I think someone who is in the early stages of his/her "balletomane career" (if I can use that term
Rather than emphasizing knowledge level, I'd put more emphasis on how obsessed one is with the subject, and how often (and at what effort) one goes to see ballet. For example, someone who has a subscription and only sees a single performance of each program (and therefore not obsessed with seeing multiple casts) is likely not a balletomane even if they were the most knowledgeable person on the planet.
#20
Posted 08 May 2009 - 03:52 PM
#21
Posted 09 May 2009 - 08:59 AM
SandyMcKean, on May 8 2009, 07:47 PM, said:
#22
Posted 10 May 2009 - 03:04 PM
SandyMcKean, on May 8 2009, 06:47 PM, said:
Your point is a good one, but as stated, I think it excludes too much. Altho it's true that a balletomane is likely to have a great deal of knowledge, I think someone who is in the early stages of his/her "balletomane career" (if I can use that term
Rather than emphasizing knowledge level, I'd put more emphasis on how obsessed one is with the subject, and how often (and at what effort) one goes to see ballet. For example, someone who has a subscription and only sees a single performance of each program (and therefore not obsessed with seeing multiple casts) is likely not a balletomane even if they were the most knowledgeable person on the planet.
#23
Posted 10 May 2009 - 06:43 PM
whetherwax, on May 10 2009, 07:04 PM, said:
#24
Posted 10 May 2009 - 07:02 PM
#26
Posted 11 May 2009 - 08:01 AM
You know you're a balletomane if:
1) Despite the horrid mug-shots in the program, you can instantly identify > 75% of your "home" company members;
2) You have to restrain yourself from giggling, pointing, and bouncing in your seat, because you've just spotted one of your favorite dancers in a restaurant;
3) The box office employees recognize you as the season-ticket holder who always comes back for cheap-seat opportunities for alternate cast performances;
4) You remain genuinely puzzled regarding the relative social acclaim for sports figures.
#27
Posted 11 May 2009 - 08:07 AM
#28
Posted 11 May 2009 - 08:28 AM
#30
Posted 11 May 2009 - 10:14 AM
Arizona Native said:
2) You have to restrain yourself from giggling, pointing, and bouncing in your seat, because you've just spotted one of your favorite dancers in a restaurant;
3) The box office employees recognize you as the season-ticket holder who always comes back for cheap-seat opportunities for alternate cast performances;
4) You remain genuinely puzzled regarding the relative social acclaim for sports figures.
I can add a few:
5) Most box office employees recognize you on the phone since you speak to them so often, and have relatively lengthy conversations as you sort thru all the ticket options available for additional performances.
6) Somehow beg to sit in as an observer at class.
7) Never ever miss a post-performance Q&A session.
8) Regularly fall in love with this dancer or that dancer.
8) Follow dancers on Twitter.
9) Go to the company library to study video tapes of one-on-one teaching sessions (such as those done by the Balanchine Trust).
10) Find it impossible to shake the feeling that dancers are somehow on a plane btwn mere mortals and the gods (sort of like angels) when all along your rational self knows they are human like everyone else.
[Well, OK.......maybe you can still be a balletomane without doing all these things, but if you are afflicted with a case of true obsessive mania, these sorts of behaviors can be common.]
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