Le Corsaire at The Kennedy Center
Posted 21 June 2009 - 07:08 PM
Posted 21 June 2009 - 07:25 PM
I asked another staff member (not just an usher) who said they had had no confirmed report but had simply been told that the shift "was in the best interest of the dancers".
I can appreciate what someone said in the thread about the Bolshoi's casting changes: I had purchased tickets originally to see Vasiliev and Osipova Fri. night as well, so I ended up not seeing them at all (as was the case at YAGP in NYC this spring.)
Posted 21 June 2009 - 07:43 PM
Posted 21 June 2009 - 08:29 PM
There are many wonderful things about it - there were many funny, delightful details added into the story, and also liked Gulnara's characterization as a more vibrant, lively character was fun. Jardin Anime was an eye-popping spectacle at both shows and only really a huge, great company like the Bolshoi could pull it off so resplendently. But I just didn't feel like sitting through the kitsch of the almost entirely mimed Act 3 one more time, so I left after Act 2. It would have been fun to see another cast, particularly the Osipova cast, try it out, but not the same one so immediately again. (Also disappointed to read here that we did not see the Pas D'evantails, which really would have spruced up the third act with more classical dancing... I might have stayed through had it been there). I'm glad I got to see Osipova dance twice this week in New York, and wish I could have seen her here. But things happen and ballet casts are ever changing, I suppose!
Posted 22 June 2009 - 05:21 AM
Edited to add: I see from one brief report of the Saturday matinee (above, from OKOK) that Osipova/Vasiliev at least were able to dance one performance in the run. I hope that all of my friends who traveled to DC to see the Golden Couple made that one Saturday matinee. Most importantly, I hope that the dancers are OK and on the mend soon.
OKOK -- in retrospect, you hit the jackpot and saw the Golden Couple.
p.s. - Did nobody else among us attend that lone Osipova/Vasiliev performance on Saturday afternoon? Did Vasiliev really fall twice, as reported? Was Osipova OK...or did she, too, fall? Now I am somewhat worried.
Posted 22 June 2009 - 06:36 AM
I was there on Sat afternoon for Osipova-Vasiliev. He fell once, in Act I. It was a bad landing on a jump. He had to put both hands down to remain vertical, but it wasn't enough and he fell onto his side. However, he got right back up and continued with the rest of the performance until the end. His second mistake was in that he missed a turn, and only rotated once in the air instead of twice for his turn. He never fell on that one though. He seemed to be having an off day.
During the animated garden scene either Gulnare or Medora missed her cue. The corp remained frozen in position, and the music played for approximately 2 minutes. The audience sat perplexed as nobody on stage was moving. It was clear that either Gulnare or Medora should have been dancing in the stage foreground during that music. Somebody screwed up - either Osipova or the woman dancing Gulnare, but I can't say for certain who should have been dancing at that moment. I'm guessing that whoever it was must have gotten into trouble after the show. Osipova never fell during the performance to my knowledge, and executed some impressive double turns.
Can't write more now, but hope to later.
Posted 22 June 2009 - 06:39 AM
During the animated garden scene either Gulnare or Medora missed her cue. ....
Thanks, abatt. Oh dear....
If it's Osipova who missed her variation - she must be exhausted. I hope that she is receiving proper care and getting lots of rest. Let's hope that Vasiliev did not sustain an injury. I wish both Osipova and Vasiliev well...and lots of rest.
Posted 22 June 2009 - 07:55 AM
Having given my most enthusiastic praise, I will have to say that I was a bit puzzled that the dancing by both leads did feel a bit off at times. Vasiliev’s lifts were all sure and steady and while his solo and jumps were excellent by virtually any standard, perhaps my expectations were a bit higher for such a rising Bolshoi soloist. He did miss a turn and I saw the same bobbled landing. I agree that it didn’t appear to be injurious but he was clearly chagrined. Osipova also appeared have some problems with her fouettes and I believe she actually did fall at one point, but quickly recovered (I don’t recall the act, but it was far left downstage). But the more unusual thing I noticed was that both of them seemed to become disconnected with the music a few times. This was all the more noticeable to me because most of the time they were so beautifully spot on. I considered that it might have been that it was a long ballet with the leads on stage a lot, that Osipova was coming off three performances of two other ballets in New York in recent days, and perhaps they may not have performed this ballet together before or recently (?).
In spite of my observations, I was certainly not disappointed. But my puzzlement about what might have been going on is now all the more so since they didn’t dance on Sunday as scheduled. Out of this performance, would I vouch that Osipova and Vasiliev deserve to be the rising stars they are acclaimed to be? The answer is - Without a doubt. Their miscues in the performance, while noticeable, were overshadowed by much beautiful dancing and bursts of clear brilliance. I hope to have the opportunity to see them both often in the future.
Posted 22 June 2009 - 09:08 AM
First, the production is wonderful. The sets and costumes are elaborate. I felt that even though it was 3 hours, the time passed very quickly.
The women in the corp are very beautiful and well trained. I marveled at their beautiful body lines. Some of the corp women have such long necks and gorgeous long arms. Very impressive group of ladies.
My favority Medora was Alexandrova. She had star presence, excellent technique, grogeous line, and good comic acting. I also enjoyed Volchkov. He bobbled a landing on a difficult jump on Thurs, but did it cleanly on Fri evening. He seemed to pair well with Alexandrova. His technique was very impressive. I don't have much to say about Shipulina. She was adequate, but unimpressive.
I don't have my program to recall her name, but we saw the same Gulnare over and over. Fortunately, she was wonderful!
I wasn't that impressed with the Odalisques on any of the three nights. There were evident mistakes in each performance by at least one odalisque on each night.
I saw all of Osipova's performances with ABT. I think Giselle and Sylphide showed off her impressive airy jumps more prominently that Corsaire. Nevertheless, her acting was very good, and she performed numerous double turns which the other casts I saw did not even attempt. She gave an excellent performance, but it was not as thrilling as her Giselle or Sylphide. Vasiliev, however, was disappointing. Was this the same person who a few years ago tossed off incredible jumps and turns effortlessly at the YAGP gala? He seemed out of sorts the entire performance. He attempted very difficult jumps, but had limited success, as I noted above. My husband was sitting very close to the stage (we could not get seats together) and said Vasiliev seemed to be completely out of breath. He was also frequently out of time with the music. After his bobbled jump, he just stood there like a log waiting to get back in sync with his music.
The animated garden scene was incredibly gorgeous. It is much better than ABT's version.
I took my first ride with Bolt Bus. It was a disaster. It was supposed to leave at 11:30 AM. The bus didn't arrive until 12:15, as we stood out in the pouring rain - no bus shelter. ( I found out the hard way that my luggage is not waterproof.) There was a mad rush to the bus door since the 12 noon bus never showed up either. My husband and I got on because we had the 11:30 confirmation. My bus was scheduled to arrive in DC at 3:45. We arrived at 6:15! To make matters worse, we were told sternly at the rest stop that we had only 10 minutes at the rest stop. All of the passengers dutifully arrived back in their seats within 10 minutes and sat in their seats on the sweltering bus. Apparently, the bus driver decided to have the 10 course tasting menu at Popeye's, since he took a 35 minute break as we alll sweated on the stuffy unairconditioned bus. We decided to take Amtrak back. It was fast, efficient and comfortable, though expensive. I don't think I will be using the bus to DC ever again.
Posted 22 June 2009 - 09:39 AM
At the Tuesday dress rehearsal, the role of Gulnare was shared by Nina Kaptsova (Jardin segment and in costume) and someone-other-than-Krysanova (all other segments, wearing blue leotard, black tights and white practice tutu skirt) who, to me, looked like Anastasia Meskova even though Meskova was not on the playbill's roster. 'Mystery Dancer' has auburn hair and bangs, and big blue eyes.
p.s. Krysanova was definitely around. She was unmistakable as the 2nd Odalisque at opening night.
Posted 22 June 2009 - 09:40 AM
just answer some comments in prior posts. I think i am lucky because with my "gamble" i ended up seeing all 3 leading balerinas. Rehearsal, Tuesday, Sat. & Sund matinee (and I don't have the favorite, they were just all different, same about male leads)
(PS: my favorite Medora is TERESHKINA!!!! by a huge margin).....
PSPS: I LOVED the ballet overall, the whole company felt more relaxed and at ease on Sunday. Every day, the soloist were wonderful, Anastasia Goryacheva, Denis Medvedev, 3 Odalisks, Nina Kaptsova (Gulnara), and Zibrova (favorite wife), are the best, I didn't see Krysanova dancing Gulnara but heard she was heavenly. And all other characters - what a show.... THANK you Burlaka!!!!!!!
It was Osipova who missed that entry in the Garden sciene (when corps were frozen still) (I kept an eye on Sunday). Her fuete travelled, and you're right about Vasiliev, he mislanded in his second jump, and i am not sure of the 3rd (since my seat cut it off), he didn't seem confident with other jumps that followed. He was the Most passionate pirate and acted with most abandon. Their last sciene was not "convenional" - too much hugging and no "praise to the lord" for saving them and they jumped off their knees too early before the curtain fell completely (looked awkward). I don't think either of them injured themselves. Osipova DID look exhosted when she went out to greet fans at back stage door. But neither of them limped or showed any sign of pain when they finally departed together.
A coach when asked about the casting change "politically correctly" responded that Osipova didn't feel well. What really happened i guess is at Burlaka & Osipova & Vasiliev conscience. Praise to Shipulina & Scvortsov for stepping in.... more later.
Posted 22 June 2009 - 10:04 AM
I have only been learning about and attending the ballet for the past few years, so there is a lot I do not know and have yet to put in context. In the first half hour of the ballet, during a sequence of three lifts, Medora splits her legs and then makes a diamond shape (toes pointing towards each other) before Conrad places her down. When I saw it, I thought WHY? Despite the elegance of Osipova, it looked vulgar. I am wondering if anyone knows if this is part of the original choreography. After the ballet, I was speaking to someone -- also not a longtime ballet-goer -- who brought up the same thing and said that it was noted in the Washington Post review. Also, how much latitude would a ballerina have to change a portion of the choreography if she felt uncomfortable with it?
Posted 22 June 2009 - 11:38 AM
Shipulina is a competent technician, but not Bolshoi lead role quality, IMO. Granted, she was probably tired from dancing Saturday night and not expecting to perform Sunday, so I'm sure that was a factor. Kaptsova as Gulnare was delightful, which makes this the second time Gulnare has outshone Medora--the other being Osmolkina's beautiful, lyrical Gulnare to Tereshkina's harsh and wobbly Medora a few years ago. The first two Odalisques were lovely, the first for her extremely neat, quick technique and the second for beaming beautifully out to the entire audience. Lanquedem performed his assemblés into grand plié in Act I with an added touch--a huge sissonne out of the grand plié. Very impressive.
The corps looked beautiful--only a few moments in which lines were not perfectly straight reminded me that this was not the Mariinsky, but otherwise they were top quality. The company in general looked very good, in many instances--dare I say it--better than the Mariinsky. They did not "pose" through their dances but kept everything lively and engaging, and they have not stretched themselves to the point of being unable to move--beats retained the quality of the legs "bouncing" off each other, pirouette preparation time was minimal, &c. In general, I was very impressed, and I very much look forward to the company's next visit!
Posted 22 June 2009 - 12:24 PM
I think that I predicted this one right.
Posted 22 June 2009 - 12:35 PM
I've seen Shipulina many times in London -- and found her pleasant enough in The Bright Stream, Symphony in C, etc. I've also seen her as Queen of the Dryads, and while perhaps not quite regal enough -- always technically competent and able to hold the stage.
On this tour, I saw her opening night in Chapel Hill, as Queen of the Dryads. My first thought was that she looked tired. In fact, it seemed she could barely even project to the audience. To be fair, the stage was small and slippery, but I'd never seen her dance in such a reserved manner. Vasiliev was Alexandrova's Basilio, and feet covered in rosin, danced well. I believe that was the only performance Alexandrova and Vasiliev did in in Chapel Hill -- am unsure why Alexandrova didn't get more Medoras in DC?
On the other hand, Shipulina danced in every Chapel Hill performance barring one -- including a Kitri and an Odette/Odile, and if I have it right, she did Friday night, Saturday night, and Sunday afternoon as Medora in DC........ if anyone is exhausted......!!! I didn't expect Shipulina to provide an Alexandrova/Osipova-esque performance, but I also feel that I've seen her dance much better in the past -- more able to connect, as opposed to going through the motions.
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