There's now quite a long piece by Jennifer Dunning in the online version of the NY Times, at least.
Jennifer's piece is very moving and captures Eva's essence perfectly. It's on page 14 of the print edition.
My friend Jean-Marie Wynants, the dance critic for Le Soir in Brussels, has written an obituary that appears in today's issue. The article is not yet available on the free portion of the site, but may become available there in coming days.
I did a quick translation of the piece and will paste it here:
The extraordinary dancer Eva Evdokimova died during the night of Thursday to Friday in New York, after a long illness. Dancer, choreographer, teacher, she appeared on the most famous stages in the world and was Rudolf Nureyev's regular partner.
Contrary to what her last name woul suggest, Eva Evdokimova was American, born in Geneva in 1948, of a Bulgarian father and an American mother. After Geneva, she spent a good part of her childhood and youth in Germany and England. This very international life gave her a knolwedge of languages that she never ceased to perfect, adding to English, French, German, Russian and Chinese. [This is wrong, actually--it was Japanese.] But from one country to another, she pursued the true passion that drove her throughout her existence: dance.
As a child, she began her studies in Munich then followed this at the prestigious Royal Ballet School in London, from 1959. After that, her passion took her to the far corners of the world, making her unique in the history of dance. She quickly understood that in addition to classical technique, one must be open to other domains. She was to study music, theatre, and art history. These were among so many elements that were to nourish her interpretations and make her such an exceptional teacher.
As a dancer, she accumulated many "firsts": First foreign ballerina to enter in the the very closed Royal Danish Ballet, the first American to perform with the Kirov, the first American to receive the title of Prima Ballerina Assoluta abroad (at the Deutsche Oper Ballet in Berlin), the first American to receive the Ulanova prize in Moscow....
These "firsts" must not obscure the essential: the formidable talent of this ballerina, who knew how to dazle audiences everywhere, from New York to Moscow, and passing through Berlin, Peking, and the Paris Opera Ballet. If, during 15 years, she was Rudolf Nureyev's partner, she also shared the stage with many other great names of ballet. Her performances, of which happily there remain records, still fire all lovers of ballet today.
It suffices to see her in La Sylphide (a wonderful film clip is available on YouTube) in order to understand the art of this dancer edowed with an extraordinary energy behind a frail appearance. The greatest talent of Evdokimova was perhaps to know how to divinely move audiences where so many others succeeded only in dazzling them. To an irreproachable technique (that she later taught at the greatest international companies), she allied a magical grace and elegance. To see her today, in black and white, moving with so much grace and lightness that she seems literally to float in the air, leaves no doubt: A dancer has gone but her star will shine forever.
Translated by Nicole Dekle Collins