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"Grace" was made for the Alvin Ailey company a decade ago, and it's a change to see it transferred from the hard bodies of the Ailey dancers to the more ecumenical shapes of Brown's company. There were more rewards in the evening's dancing than the dances, but "Grace" is the most developed choreographically. It's a crowd-pleaser, and this crowd talked back, egging on the performers.
Watching Brown dance his own work is fascinating: He's never in sync with the others (choreographers rarely are), but his loose dance style - rocking, jiving and putting a conversation and purpose into every step - lets you know what he's really up to.
Watching Brown dance his own work is fascinating: He's never in sync with the others (choreographers rarely are), but his loose dance style - rocking, jiving and putting a conversation and purpose into every step - lets you know what he's really up to.



