Is anything vulgar (in dancing) today?
Posted 17 November 2001 - 11:38 AM
In some eras, the rules for Vulgarity are quite plain and dancers who transgress them are snubbed, or given bad reviews. In today's anything goes atmosphere. . .well, anything goes.
What do you consider Vulgar in classical dancing? (In answering this question, it must be understood that ALL of us have exquisite taste. We just differ on the details.)
Posted 17 November 2001 - 11:59 AM
At the same time, I can forgive anything if the performers are projecting honesty and love for their art. It is a turn off when dancers have an air of being better than everyone else in the theatre.
Posted 17 November 2001 - 03:15 PM
Posted 17 November 2001 - 04:00 PM
What I consider to be vulgar is when a performer tries to outshine another. Several companies - including the Washington Ballet of the District - combine dancer of different experiences. When the more experienced dancer tries to ham it up ahead of the student or apprentice, it is a real turn-off.
[ November 17, 2001: Message edited by: Auvi ]
Posted 17 November 2001 - 06:19 PM
Posted 18 November 2001 - 05:50 AM
Acknowledging stars at the end is one thing, but the Kirov descended to the depths during their Swan Lake in London (ROH, 2000). After Odile's celebrated fouettés the conductor stopped the orchestra and Odile came down to the front of the stage to milk the applause. Since the music is in full flow at that point, the cut was very nasty indeed, and we then had to wind up the orchestra again in order for Siegfried to start his fireworks. Horrible!
Posted 18 November 2001 - 07:15 PM
Posted 18 November 2001 - 11:41 PM
Posted 19 November 2001 - 01:46 AM
Perhaps the English are more restrained! I hadn't encountered that effect before seeing the Kirov. Is this caesura generally observed in the USA?
Posted 19 November 2001 - 01:55 AM
My mother and I were watcing Alessandra Ferri as Giselle (on tape) the other day and we both commented on how very soft her shoes looked. While it does provide a beautiful line for her feet while she's off-pointe, en pointe they look like they're about to send her toppling over her arches onto the floor. I'm sure they're strong enough to hold her, but I'd much rather prefer a little less arching in order to make the ballerina look (and probably feel) that much more stable. During her variation in Act I she didn't look very stable at all during the hops en pointe because she was so over her arches...
Perhaps I'm saying this because my Serenades aren't 3/4ed and beautiful, so therefore I'm being spiteful towards over-pretty feet. tongue.gif
Posted 19 November 2001 - 01:43 PM
Other than that, wrist flicks, Albrecht rising from his death bed, and Zakarova doing Aurora are my definitions of vulgar.
Posted 19 November 2001 - 03:11 PM
Posted 20 November 2001 - 01:14 AM
A certain ballerina at ABT springs immediately to mind. . .
Posted 20 November 2001 - 12:10 PM
Posted 20 November 2001 - 12:30 PM
for me half the excitement of the pdd is the way that the music and dancing builds to a climax, i f all of this is constatly being interupted then i feel the whole eefet is ruined.
i certanly feel people should applaud the dancers and of course there are plenty of opportunities for this at the end of the act but it seems a pity to sacrafice the overall effect of the act for needless arrogance!
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases: