Sorry, but isn't that rather offensive to anyone who does not dance the Balanchine style?
Once you're used to seeing it, those who don't have it seem to be... well... constipated... or if you prefer, muscle-bound... or perhaps just a little dazed.
When I started watching the Kirov, it was heavenly--they were all so calm, beautiful, and restrained. No twitching, every movement perfectly controlled. And I never minded seeing a preparation, because the preparations in themselves were beautiful, and by watching them, I was able to anticipate the perfect pirouette or gravity-defying jump to follow, and really see it, instead of some random flashy thing that dazzled for a moment, but never really left an impression. I can say with certainty that I would always rather see one slow, perfectly clear battement tendu than twelve or sixteen blurs (however long the pointed foot is held out there) done in the same amount of time. And by the way, the Kirov can move pretty fast when it wants to. Not to mention Paris Opéra, Royal Danish, Royal Ballet, all of whom are well-known for having quick, immaculate footwork.
[This message has been edited by CygneDanois (edited March 29, 2001).]