Why not perform alternate endings, at least at summertime performance, for those in the audience who've seen the work just a few too many times?
Here's one for Bayadere:
-- Nikiya never really dies. (It turns out that those cheap rubber snakes they use don't actually bite.
As the Shades descend the ramp, there are occasional hints that something is wrong. One does a multiple pirouette; another does a quick series of entrechats six. Solor slowly catches on. (He's not entirely drugged, it seems.
It works out happily in the end. The lovers are reunited, but only after Solor has done his penance by lifting an awful lot of shades (real women with real weight) in his desperate quest to identify her.
-- The High Brahmin is filled with the need to repent; he joins Mother Teresa and spends the rest of his life doing good works in a Calcutta slum.
-- Gamzatti, runs away with the carnival dancer who played the Golden Idol. In a final Apotheosis scene, she is seen having the time of her life performing with him at a joyful Indian village festival. They're all dancing, for some reason, a Tarantella, followed by a boisterous Farandole, created especially for this production by Ludwig Minkus. It turns out that he is not dead either. And he's willing to make all the musical alterations needed to make this alternate Bayadere work.
Any other ballets that need alterations or an update? All suggestions are welcome. They don't have to be elaborate -- even a short




