Californian at Royal Ballet
Posted 05 May 2008 - 08:46 AM
However it should be hot in my mind for quite a while. I was IM-ing a ballet guru friend of mine the day before I left and she said SB was a ballerinaís toughest ballet; no place to hide mistakes. We agreed that itís a long boring ballet. Well, since itís long and boring you have to glean what you can from whatís offered. Unless, of course, you get Marianela Nunez; then thereís no gleaning necessary; you just have to wait a heck of a long time for her to materialize. She is one of my favorite ballerinas, and is quickly becoming one of my favorites ever. I see her so rarely that I forget how wonderful she is. And I totally forget her blazing smile that lights up the theater; with that smile she includes everyone on stage and all the audience in her joy of dancing. Her entrance in Act II begins with (I donít know ballet terms!) what might be a pas de chat (?); whatever it was she hung in the air as she performed it, making it known that the audience was going to see something special. She was virtually perfect; it was an honor to watch her. She pulled every step and phrase to its fullest, a sweep of dancing. I remember saying this about Wendy Whelan; they both do it but Whelan does it with a strength while Nunez is classical and soft. Soares was very good, and a wonderful partner for her (Iím assuming theyíre still engaged). Ok, so what else was there to enjoy? I liked Carabosse being a young, beautiful woman, and I thought Genesia Rosato did a very good job. I thought Martin Harvey was a principal but he appeared only as one of the Prince's in Act 1 and is not listed in the booklet at all.
Iím seeing SB again tomorrow night with Sarah Lamb; I look forward to the comparisons.
Posted 05 May 2008 - 09:31 AM
Posted 05 May 2008 - 07:02 PM
Posted 06 May 2008 - 03:00 PM
I saw my 2nd Sleeping Beauty tonight and I thought of all of you thru the whole performance. So many little things we see in ballets that matter to us but no one else; if youíd been there weíd have been nudging each other throughout the whole ballet. Like at the final fish-dive in Act IIIís pas de deux: as Putrov dropped Lamb on his knee and the orchestra hit their chord you could see Putrovís lips mouth ďboom!Ē. I laugh every time I think of it!
It was Sarah Lamb and Ivan Putrov tonight. I preferred last nightís cast of Nunez and Soares by miles. That doesnít mean Lamb didnít do a beautiful job; itís just that Nunez was ďbeautifullerĒ! Anthony Dowell sat right in front of me and I could see him reacting to certain things, like 2 double tours that Putrov landed in perfect 5th positions; very impressive. Somewhere along the way Carabosse is attacked by swordsmen and evades death by disappearing via a trap door. Thereís supposed to be a puff of smoke to hide the fact that thereís a trap door there, but both last night and tonight the smoke machine failed and you just saw Rosato ride a ďdown elevatorĒ. Kenta Kura was one of the most exotic looking Bluebirds Iíve ever seen, and not all that bad a dancer. Yuhui Choe was his partner and they did a very good job. Last nightís Bluebird, Yohei Sasaki, was tonightís Florestan; he did a good job both nights. Guess who was a no-show? Yup, Martin Harvey. He does exist, and heís listed as a Soloist on the casting sheet.
50 years ago tonight ballerina Anya Sainsbury danced the roll of Aurora at the Royal Opera House. Tonight's ballet was dedicated to her; there was a blurb and a pix of her on the casting sheet. After the performance Monica Mason came on stage, introduced Ms. Sainsbury (in one of the boxes) and thanked her for all sheíd done for Royal Ballet.
The audience has behaved beautifully about applauding at proper times. Such a treat. Monday night they were perfect; tonight they were a bit less perfect but still good.
The gift shop is full of items from past years. Precious little about NOW, i.e. I couldnít find a thing on Nunez, Lamb, etc. Not even postcards. I realize the stars of the past are icons, but itís the past and we now have the current dancers who are extraordinary and deserve at least a postcard forcryingoutloud. Ok, they have some on Kobborg, Benjamin, and then 15 on Nureyev.
Even with long/boring Sleeping Beauty I'm having a great time.
Posted 07 May 2008 - 04:48 AM
Ah, it seems Nunez as Lilac is gone, but she is there from Coppelia... See:
Posted 07 May 2008 - 06:26 AM
Love it -- reviewing the audience: anybody who misbehaves doesn't get their subscription renewed!
Posted 07 May 2008 - 08:19 AM
ami1436: all those postcards were not available. I meant to mention that Yanowsky was available but I was posting late at night and couldn't remember how to spell her name. The problem also applies to the subject matter of posters.
Posted 17 May 2008 - 02:12 PM
Iíve seen ďDancesÖĒ only a few times so Iím not very familiar with it. Itís a lovely ballet but for the first time I saw the choreography as Robbins/Broadway. Kobborg's opening solo set a standard that the rest of the ballet found hard to equal. Cojocaru was the girl in Pink but another girl shared the role; both were ushered in by Kobborg for their bows after the rest of the cast had bowed. Cojocaru was wonderful in her pdd with Martin Harvey (yes, heís alive and looking great). Also of note was Cuthbertson. I took my daughter and she loved Rojo. Equal to the dancers was the pianist who has a monumental job in not only playing Chopin but adjusting his tempo to the dancersí tempo.
I first saw The Dream with Royal Ballet and I still think they have the best presentation. Leanne Benjamin and Edward Watson starred. I love the opening 45 seconds of this ballet, and it sets the tone of the evening. This is such a lush ballet: from the Fairies to the swooning lovers to the sublime final pdd. Benjamin danced beautifully but I donít find this role perfectly suited to her. Watson is gifted but I found him lacking tonight. Nevertheless, they, and the rest of the cast, gave us a wonderful evening of ballet.
Saw a familiar face as we exited. Leigh!!!
Posted 21 May 2008 - 02:17 PM
Dances at a Gathering featured NYCB's Yvonne Borree as the girl in pink. I thought she was wonderful. Her final pdd (with Martin Harvey, bless his soul) was achingly beautiful. Leanne Benjamin is a marvel of a dancer; she never disappoints me. She was the girl in green, the role Cuthbertson danced Friday. Each danced it entirely differently, and each was superb. Acosta was the boy in brown, and looked better than I've seen him in years. Obviously I don't see him much but ......
Cojocaru was supposed to star with Kobborg in The Dream. She danced only half of "Gathering" last Fri, and now she's listed as injured. Marquez substituted for her. Benjamin starred last Fri. and tho her technique was perfect, as always, I didn't find her the perfect Ashton dancer. Marquez was more "Ashtonian" and it was a lovely performance. That final pdd is so beautiful and so lush; the ballerina really has to melt as she dances it. The best Titania I've ever seen is Sarah Wildor; I've yet to see one who matches her. Paul Kay was Puck ... the tallest Puck I've ever seen. Most of the Pucks I've seen are smaller men and I've gotten used to seeing him as a pixie; Kay was very good and proved to me that the role is open to everyone.
I love this company. I wish I knew the dancers better, but it's always a pleasure to "mind the gap" (the Atlantic!) and come to see them.
Posted 21 May 2008 - 02:34 PM
Posted 21 May 2008 - 02:57 PM
Like she hasn't heard that joke since she was 12. . .
Posted 21 May 2008 - 03:24 PM
Posted 21 May 2008 - 03:40 PM
I remember seeing Kobborg at the Wells last year. I'm 5'1 and was wearing mega-heels, and he didn't seem that much taller...
Posted 27 May 2008 - 09:42 AM
Sorry, Carbro - they've pulled out. Inevitable, I'm afraid, given that she's cancelled all her London performances till the end of the season.
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