Zhanna Ayupova's retirement
Posted 10 April 2008 - 12:36 PM
Also recently removed from the roster are Principal Viktor Baranov, 1st soloist Veronika Ivanova and Character Principal Galina Rakhmanova. Ah but "The King" Vladimir Ponomaryev remains, thank goodness.
I may have missed other recently-retired notables. Whoever keeps tabs -- please enlighten us further.
Posted 10 April 2008 - 01:54 PM
as the second soloist in the "Swan Lake" pdt during the 1986 North American
tour, then went on to witness her Masha, Raymonda, Odette/Odile, Aurora,
and most recently, Emeralds. In live performance, she was grace personified.
Hopefully the Maryinsky's "Jewels" will be released soon. POB's version is available;
and it would be nice to compare both companies in this ballet. Perhaps the POB
dvd has been a consideration for holding back the Maryinsky version. (?)
Thankfully, Zhanna's exemplary and regal Aurora has been preserved, (although in
snippets ), on the dvd "Sacred Stage." She is also featured as the Girl in
"Le Spectre de la Rose," on the "Kirov Celebrates Nijinsky" dvd, filmed during
the Fall 2002 visit to Paris' Theatre de Chatelet. A sublime Prima Ballerina!
Zhanna, thank you for sharing your gift with us !
Posted 11 April 2008 - 02:15 AM
I can't help but notice that Ayupova's "retirement" has been without fanfare or announcement. I actually admire her quiet beauty even more for this -- no big gala to announce her departure from the stage as many ballerinas would insist on having. She remains an image of the old School Kirov that once was. Although I saw her perform not more than a handful of times here in St. Petersburg in the past four years, she nonetheless will be missed!
Posted 11 April 2008 - 03:29 AM
Did Ulanova and Plisetskaya have true Farewell Galas at the Bolshoi when each retired from regular performing? If anybody was there or knows of those galas, please let us know.
Posted 11 April 2008 - 04:22 AM
Posted 18 April 2008 - 02:21 PM
Posted 29 August 2009 - 05:38 PM
Posted 29 August 2009 - 06:38 PM
Posted 29 August 2009 - 10:23 PM
Posted 31 August 2009 - 07:41 AM
Ayupova was a favorite always, but also, for me, among those Natalia mentions, Veronika Ivanova--a lovely dancer, and (as I remember her at least) very much an exemplar of "old school" Kirov purity of style.
Off-Topic but Related: Ivanova's long-time partner (husband?), Nikita Sheglov, is coaching the boys in next year's Vaganova Academy graduation class. The group includes Alexander Saveliev, one of the most promising young male classical dancers since Vladimir Schklyarov's graduation a few years ago. Keep the name in the back of our minds.
Posted 08 October 2010 - 07:56 AM
What I've heard from my Petersburg friends is shocking. Ayupova did want to coach in Mariinsky but director Yuri Fateyev said that he doesn't need her. Losing her was great mistake and it seems that management will repeat it and another wonderful dancer will share Zhanna's fate. Yulia Makhalina wants to be Mariinsky coach but as Ayupova she was refused by Fateyev. My source in theatre says that it's possible that because of him she will leave company. I've seen her coaching Tatiana Tkachenko in documentary "Sacred Stage: The Mariinsky Theater" and from what she says it seems that she really enjoys it and manages it very well. Losing another coach from "old Kirov school" can't be good for Mariinsky. There are many wonderful girls among 2009 and 2010 graduates, like Frolova, Brileva, Stepanova, Batoeva and others and they would benefit having these dancers as their teachers. What is happening now in the company really makes me sad. I've heard many critics about Fateyev and now I know they are reasonable.
Good for her--but they could really use her at the Mariinsky, whether they know it or not.
Posted 08 October 2010 - 09:08 AM
Yes it's a tragic situation. The company is in dire straights artistically. The traditionalists, of whom Ayupova and Makhalina represent, are being thrown away by Yuri Fateev. IMHO Fateev is as confused as he can be.
Posted 11 October 2010 - 01:13 AM
I hope Ayupova's tenure at the Mikhailovsky is secure as I have heard from a Spanish Ballet fan that Nacho Duato has wrecking tendencies where classical companies are concerned.
Posted 11 October 2010 - 04:50 AM
Cygnet, Yuri Fateev isn't just confused he is incompetent and it is time for some sort of official explanation as to why Acting Director Fateev hasn't yet been replaced with a director with proven abilities.
Well, that would be a question to pose to Gergiev, no? I wonder what his answer would be. I'm not really cetain of this but perhaps because of all the touring the opera troupe of the theater does and all the outside conducting dates Gergiev has, (he's in NYC right now conducting a new Met production of Boris which opens tonight) he has to parcel out his personal attention carefully in tiny doses and is content to leave major issues with subordinates as long as there are no disasters.
This is very much the kind of complaint that has been increasingly lodged with the Domingo machine with regards to his very hands off management of the Los Angeles Opera and Washington National Opera. There are constant cries that he simply can't be reached to make decisions and it's left to his deputies to solve (or ignore) problems. With the reorganization at Kennedy Center in DC, he has announced his resignation. His contract at LAO has been renewed in spite of an unheard of situation some months ago where the company almost shut down because of a cash flow problem. Only an emergency loan of 14 million from the county government kept the day to day operation running. One has to ask here if anyone is responsible for such basic functions as cash flow.
Similarly, the Boston Symphony has been making a lot of noise over the unavailability of James Levine, mostly because of his absences (in this case due to health issues). Comments on the same issue are occasionally raised at the Met, but much less noisily. He is still really loved there.
So perhaps as long as the foreign bookings come in for the MT ballet troupe, and there is no persistent criticism at home, and as I understand it the Russian press is still very much muzzled, Gergiev may take the position things are "just fine".
All this is just some conjecture on my part but certainly I see a lot of administration by performing arts organizations where a charismatic name is head of multiple organizations and is effectively spread very thin.
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