Stories that should be a BalletHere is your chance to be creative!
Posted 13 July 2008 - 02:54 PM
Posted 30 August 2008 - 02:04 PM
The ballet covers both the Caesar and Cleopatra AND the Antony and Cleopatra stories. In my opinion it was a case of too much story, too much music, too little choreographic interest.
Posted 30 August 2008 - 05:26 PM
Posted 30 August 2008 - 05:32 PM
Posted 05 September 2008 - 09:18 AM
Here’s another direction to go in. Regional folk tales coupled with living regional composers. This is a French- Canadian folktale. There are other versions. One has a bit of Cinderella twist, in that you may dance on the eve of Lent but not after mid-night or the devil will have your soul. I’ve also listed a French-Canadian Composer. There is also a Hispanic version of this tale.
I got this summary of the story from http://cfmb.icaap.or.../BV27-3art2.pdf
Story: The Devil at the Dance
“The story of Rose Latulippe, a young girl risks her soul and salvation through her constant flirtations and coquettish behavior, which comes to the fore at a dance to celebrate the beginning of the Lenten season. A young, handsome stranger catches her eye, and she totally falls under his sway. Only an innocent child and an elderly grandmother holding a crucifix know him for what he truly is, and it is only because
Rose's fiance notices that the stranger's horse has coals for eyes and the steam beneath his hooves in the snow, plus the stranger's refusal to remove his hat and gloves, that eventually his true identity is revealed. The local priest intervenes to save Rose by tricking the devil, making him believe that Rose has given herself over to the Church, and the stranger eventually flees, though not before punching a great hole in the wall of the house where the dance is being held. The story hinges upon a the appearance of the devil in human guise to punish unseemly or haughty behavior on the part of a young girl, who was often
described as very beautiful but very vain and proud, to the consternation of all her friends and family, and who tempted the very wrath of God Himself. Even the very end of the tale is often left into question, with a number of different endings suggested by the storyteller, including Rose's punishment by the devil, her salvation and eventual reform to better behavior, her salvation only to become a member of a religious order, or her punishment by never marrying her intended sweetheart and remaining a maiden the remaining
days of her life.”
Composer: Linda Bouchard French-Canadian, has composed for Washington Ballet http://www.composers...le.cfm?oid=2180
Cast: Rose, fiance, Rose’s father, grandmother, innocent child, Corps before Rose sees the Devil, couple dancers, contra dancers, Priest, Nun corps,
Posted 05 September 2008 - 11:13 AM
Figurante, or others, what kind of ballet language would work best with this, in your estimation?
Posted 05 September 2008 - 03:09 PM
PS. Doublechecked - It was for Royal Winnipeg. If I recall correctly, they got into a theological bind over whether snow could be used as holy water. They had to go all the way back to St. Augustine of Hippo, but they found out that it could.
Posted 05 September 2008 - 07:55 PM
Posted 05 September 2008 - 08:27 PM
When I think of all the liberties that are taken with religious ritual in fictional works (leaving out the real world...) this concern about accuracy just makes me giggle a bit.
Posted 06 September 2008 - 02:57 AM
Posted 06 September 2008 - 09:12 AM
Posted 13 September 2008 - 05:15 PM
Posted 04 October 2008 - 06:30 AM
Posted 04 October 2008 - 08:15 AM
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