As an alternative to the Simone Clarke story I thought readers might like to read other reviews of the ENB's Giselle.
http://entertainment...2542359,00.html
http://www.thisislon...viewId=23381305
http://www.thestage....p/15586/giselle
ENGLISH NATIONAL BALLET
Started by
leonid
, Jan 13 2007 06:48 AM
4 replies to this topic
#1
Posted 13 January 2007 - 06:48 AM
#2
Posted 13 January 2007 - 07:33 AM
The article about ENB's Giselle performed in Barcelona last September with Tamara Rojo and José Manuel Carreño as guests has been published today:
To the main page (very nice presentation):
http://www.fotoescen.../diez/index.htm
to the article, in Spanish but with very nice photos:
http://www.fotoescen...lejosazules.htm
Hope you like
To the main page (very nice presentation):
http://www.fotoescen.../diez/index.htm
to the article, in Spanish but with very nice photos:
http://www.fotoescen...lejosazules.htm
Hope you like
#3
Posted 13 January 2007 - 07:40 AM
Thanks, Leonid, that's very useful.
Free thought, speech and association are vital issues in society, but in Ballet Talk's corner of the world, it's all about the dancing.
Free thought, speech and association are vital issues in society, but in Ballet Talk's corner of the world, it's all about the dancing.
#4
Posted 13 January 2007 - 03:16 PM
Thanks also, leonid. And, CarolinaM, the photos from fotoscena are wonderful. I hope everyone will check them out, even if you can't follow the Spanish-language text. The performance shots tell you so much about the stage personalities of Rojo and Carreno, and the shot of the curtain call -- taken from the wings -- is marvellous.
#5
Posted 14 January 2007 - 03:39 AM
bart, on Jan 13 2007, 06:16 PM, said:
Thanks also, leonid. And, CarolinaM, the photos from fotoscena are wonderful. I hope everyone will check them out, even if you can't follow the Spanish-language text. The performance shots tell you so much about the stage personalities of Rojo and Carreno, and the shot of the curtain call -- taken from the wings -- is marvellous. 
One more review from todays Observer by Luke Jennings a critic who is a former dancer.
http://arts.guardian...1989832,00.html
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