Congratulations Alina Somova! (Maybe)
#1
Posted 29 May 2006 - 05:50 PM
Yagudin and Somova marry
Yagudin was one of my favorite skaters, and I wish the couple a happy life together!
#2
Posted 29 May 2006 - 08:10 PM
canbelto, on May 29 2006, 09:50 PM, said:
Yagudin and Somova marry
Yagudin was one of my favorite skaters, and I wish the couple a happy life together!
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#3
Posted 29 May 2006 - 09:18 PM
#4
Posted 30 May 2006 - 01:03 AM
#5
Posted 30 May 2006 - 06:50 AM
#6
Posted 30 May 2006 - 08:00 AM
#7
Posted 30 May 2006 - 09:08 AM
But Katia Gordeeva's father was a ballet dancer too. He was trained at the Bolshoi academy, and was quite disappointed that his daughter chose skating over ballet. So now we know where she got her grace.
#10
Posted 04 June 2006 - 10:38 AM
#11
Posted 04 June 2006 - 10:46 AM
#12
Posted 05 June 2006 - 11:47 AM
According to this interview, the Somova/Yagudin relationship has ended.
#13
Posted 05 June 2006 - 12:29 PM
Lovebird, on Jun 4 2006, 06:38 PM, said:
She's been a professional since 2003. Yes, she graduated Vaganova Academy. I've seen her Corsaire ppd, and her Paquita (variation #1) as well as other roles. For me, the main problem I have with her is that her style and technique of execution is an aberration and deviation from the established and familiar Vaganova style. The foundation of the Maryinsky's repertory is Petipa. Her 'in your face' execution of the steps, and lack of characterization of the old warhorse roles, do not conform to the grace, precision and delicacy that is the basis of Petipa's choreography. For example, she constantly whacks the side of ear when she performs developpes. Her sense timing is erratic and un-musical. I think that she would do very well if coached intensely in Forsythe or some Balanchine, but Petipa is not for her, particularly Odette/Odile and the academicism of Aurora. Basically, Somova is an acquired taste. You either like her, or you don't.
Now, to be fair, and giving her the benefit of the doubt, how she is coached is not her fault. Madame Olga Tchyentchikova (Vazieva) is her coach and benefactor. It's her primary responsibility to correct her pupil. According to reports, on site in St. P and wherever she has appeared abroad, there has been no change in her interpretations, nor has she improved upon them. Yes she is young, and there is still time for her to do a U-turn on the road she's on, but personally, I wouldn't recommend her, nor would I pay to see her again.
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#14
Posted 05 June 2006 - 12:51 PM
Cygnet, on Jun 5 2006, 04:29 PM, said:
Now, to be fair, and giving her the benefit of the doubt, how she is coached is not her fault. Madame Olga Tchyentchikova (Vazieva) is her coach and benefactor. It's her primary responsibility to correct her pupil. According to reports, on site in St. P and wherever she has appeared abroad, there has been no change in her interpretations, nor has she improved upon them. Yes she is young, and there is still time for her to do a U-turn on the road she's on, but personally, I wouldn't recommend her, nor would I pay to see her again.
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I suspect that the Kirov/Mariinsky has been pushing Somova as the "new" or "replacement" Zakharova. Therefore, they have been allowing her to show off her extreme extensions and flamboyance to show the world that they've got more where Zakharova came from. Zakharova (whom I like in the right roles) is a controversial artist and has her detractors as well. Zakharova is a genuine star, like her or not, and is very much her own creation.
If Somova was developed to be a little more herself and less like Zakharova, she might shine or demonstrate better the tradition which she was trained in.
#15
Posted 05 June 2006 - 02:42 PM
Cygnet, on Jun 5 2006, 12:29 PM, said:
About Ms. Tchyentchikova/Chenchikova, Anna Kisselgoff wrote,
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