Petipa version v Sergeyev version?
Posted 02 August 2005 - 11:06 AM
Can anyone either tell me or direct me to a place where I can learn more about this revision?
Posted 02 August 2005 - 11:12 AM
Posted 02 August 2005 - 11:22 AM
Posted 02 August 2005 - 11:23 AM
Posted 02 August 2005 - 01:59 PM
The Sergeyev version is what the Kirov has been performing for years, so it would probably look more familiar to you than their reconstruction of the 1890's original. Videos of it include performances with Sizova, Lezhnina, and Asylmuratova as well as some others. Don't worry--it's a nice traditional version, you won't get any weird Freudian overtones. My only real complaint about it is the lack of mime.
Yes, my biggest problem is the lack of mime. Sleeping Beauty loses a lot by having much of the mime trimmed away.
But I also think the Sergevey's choreography is pretty ordinary looking. I'd really, really like to see the reconstructed version.
Posted 02 August 2005 - 02:48 PM
Posted 02 August 2005 - 09:37 PM
There's way too much merely bourreeing around -- for Lilac in particular, but in the birthday scene, when the whole country should be falling asleep, 'even hte fire on the hearth,' you don't see any of that, there's just lots of bourreeing around....
Posted 03 August 2005 - 05:46 AM
Posted 03 August 2005 - 05:53 AM
Posted 03 August 2005 - 07:24 AM
We should consider ourselves very fortunate to be seeing both Konstantin Sergeev classics in the US, very soon (Beauty in the fall (California & Detroit) & Bayadere in DC, next summer).
Don't forget - those who poo-poo'ed the fact that the Bolshoi was bringing the Soviet warhorse Spartacus to New York this year ate 'crow' in the end. "Soviet Spartacus" was THE most successful, earliest 'sold out' production at the MET, during the recent tour. Who, among us BalletTalkers, would have predicted that fact?
Posted 03 August 2005 - 07:30 AM
There are certain things I like about the Sergeyev staging of Sleeping Beauty, such as his choreography for Aurora's variation in Act II. If the production had mime, I'd be pretty happy with it. I do wish Vikharev would fix the problems with the Bluebird pdd in the reconstruction.
Posted 03 August 2005 - 08:21 AM
Some people are blinded by the names Yuri Grigorovich and Konstantin Sergeyev (and many others) just because they are politically incorrect with another, newer group of leaders.
Let's judge the art - not the regime that sponsored the art.
Posted 03 August 2005 - 08:36 AM
Petersburgers adore this version, and most of the Kirov dancers and the Vaganova teachers. The Russians loathed the new/old revival and revere Sergeyev's version as holy - authentic Petipa. If you have it, check out Tim Scholl's book. My main concern will be the casting and the level of dancing of the principal casts. I never worry about the corps.
Posted 03 August 2005 - 09:38 AM
I'll be seeing them when they come to L.A. too. I'd be surprised if they bring the boat & panorama for Act 2. When they tour the Sergeyev version they usually don't.
They take the boat but not the panorama. In fact, they don't tour the Panorama in either version. The Panorama stays-put in the Mariinsky Theater, permanently affixed to rollers. You would have to tear down the Mariinsky Theater to take the Panorama anywhere.
In fact, the Panorama has not been seen even in St Petersburg for a while; it was not used in last winter's series of Soviet Beauties. It appears that it is being repaired. I don't know what will happen to "it" (the canvas & gears) during the 2-3 years when the theater is closed down, beginning one year from now. It could be that The Panorama will be out of commission intil 2008 or 2009. Heaven help us!
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases (adblockers may block display):