Thanks for that, Michael. They were equally wonderful Tuesday, another level above what we get on even a great day at ABT or NYCB. It is a shame that they have been stained by the "review of record," in the Times, for Monday's performance. Mr. Rockwell was very much correct in this regard, but there must have been some extraordinary extenuating circustances involved. I hope he'll have an opportunity to re-review the orchestra.
I don't know why I forgot to mention the Bolshoi Orchestra. They were glorious and made Minkus sound almost like Delibes. One Evgeny Gurev on the Cornet (who was mentioned in the program), and another unnamed player on the Trumpet, were so perfectly bright and sustained, in tune and in key, in the Cornet solo and elsewhere, at the top of all of the orchestral chords, that it was probably the best I have ever heard Orchestral Brass.
Don Quixote @ the Met, July 18-21, 2005Reviews and Comments
Posted 21 July 2005 - 02:28 PM
Posted 22 July 2005 - 07:22 AM
Zacharova was a wonderful Kitri last night (Thursday). She handled the demi character stuff very very well, dancing through it rather modestly (twelve noon extensions notwithstanding, she always does that) but with great energy and joy (that was what projected) and adopting comic timing a la Ananiashvilli. In a lot of ways, Nina appears to be her model right now, Zacharova is an unexpectedly strong actress/dramatic Ballerina. And of course, she's dancing Nina's role with Nina's company. And Ananiashvilli is a great comedienne.
Posted 23 July 2005 - 05:25 AM
Posted 23 July 2005 - 06:18 AM
"If the Bolshoi dancers are sometimes cavalier about pointing their feet or straightening their knees, they are never less than passionate about their music, dancing on top of the beat in a manner more reminiscent of City Ballet than the more-somnolent Kirov, where sometimes it seems that keeping on the beat is considered vulgar. "
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