silvy Posted April 27, 2005 Share Posted April 27, 2005 Hi I have undertaken the mighty task of lecturing on Balanchine in my home town, as I truly believe that this choreographer deserves an homage for his centennial, which he almost did not have in my country, regrettably. My question is the following: I remember reading a long time ago that in Concerto Barocco (set to Bach's double violin concerto) the 2 soloist ballerinas are supposed to impersonate one violin each. I would like to know, firstly, if this is true at all (I must tell true information at a lecture!!) and, in this case, if it is true for all the 3 movements in the ballet,as I only have an excerpt on DVD (in the Balanchine docummentary by PBS, where it is danced by Diana Adams and Tanaquil LeClerq), and I do not seem to find that correspondence between ballerinas and violins. Thanks so much and sorry bothering!!!!!!! Silvy Link to comment
carbro Posted April 27, 2005 Share Posted April 27, 2005 In the first and third movements, each ballerina dances to each solo violin. Obviously, this is not true in the middle section, where the second ballerina is barely on stage. Link to comment
rg Posted April 27, 2005 Share Posted April 27, 2005 it's perhaps also important to note that the clip on the balanchine biography program uses a pared down corps de ballet necessitated by the tight quarters of the television studio. the leclercq/adams segment has a corps de ballet of 6 where the ballet should, on stage, use 8 dancers. i don't think balanchine specifically set out to see his CONCERTO BAROCCO ballerinas as corresponding rigidly to the two violins. in balanchine's 1947 SYMPHONIE CONCERTANTE (to mozart) he made a point of identifying one ballernina with the composition's violin and the other with the work's viola, but that was because this ballet was specially arranged as a music-and-dance demonstration showcase. Link to comment
Recommended Posts