Who should play Don Quixote?
Posted 19 March 2005 - 04:15 PM
Posted 20 March 2005 - 05:29 AM
Posted 20 March 2005 - 09:08 AM
It takes a very imaginative performer to play Don QUixote -- Farrell herself IS that imaginative, though some other characteristics I think unfit her for the part/
he really has to be SO imaginative, lost in another world AT TIMES, and then intensely involved in interactions with whoever he's encountered, explaining himself and what he's up to, for a knight must be he pattern of courtesy, and it might reflect badly on Dulcinea del Toboso, and she might HEAR about it....
Luders is the only person mentioned who has a temperament like this -- he already looks haunted, which made him so good as Schumann.... he also has the bone-structure. I'd love to see him do it.
Posted 16 June 2005 - 02:06 PM
Posted 16 June 2005 - 03:56 PM
He's doing everything else this year, so why not this, too? And if the timing works out, I'd get another chance to see him!
Posted 16 June 2005 - 04:17 PM
Does anyone have detailed recollection of Balanchine's own performance? I saw the original production twice with Balanchine as the Don, and don't really have a strong visual memory except that I had expected him to be taller -- more Dore-like, if you will. I recall a kind of tentativeness vis-a-vis his surroundings, including Dulcinea, and a withdrawn quality, even in the windmill scene. I'd almost venture to say that I felt a lack of presence. That CAN"T be right.
Posted 16 June 2005 - 06:52 PM
What you probably felt was the response one has to the typical Russian Don Quixote character. I saw Balanchine as Don Q, too, and know what you mean. Atypically, his was the first Don Quixote production I had ever seen. I didn't see the Kitri/Basilio original version until about a decade ago.
Does anyone have detailed recollection of Balanchine's own performance? .....I recall a kind of tentativeness vis-a-vis his surroundings, including Dulcinea, and a withdrawn quality, even in the windmill scene. I'd almost venture to say that I felt a lack of presence. That CAN"T be right.
Despite Balanchine making a new, very different Don Q, perhaps the befuddled characterization was due to his earlier acquaintance with the well-known version. As soon as you used the word "tentativeness" I thought of the usual Russian interpretation of the role.
He made the ballet for Farrell, so it is understandable that he was not going to do anything to steal the show from her. He remained her (er, I mean Dulcinea's) faithful servant, if you will, throughout, in awe of her presence and became a shadow following it.
Posted 19 June 2005 - 07:36 PM
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases. (If it doesn't appear below, your computer's or browser's adblockers may have blocked display):