Favorite Bluebirds/Princess Florines
#1
Posted 10 September 2004 - 10:02 AM
#2
Posted 10 September 2004 - 06:30 PM
#3
Posted 10 September 2004 - 09:35 PM
Still thinking about my fave Bluebirds.
B
#4
Posted 11 September 2004 - 05:55 AM
I saw the very youthful Ethan Steifel & Yvonne Borree when NYCB's production was new, and before that at ABT I saw Karena Brock & Ted Kivitt, who were superb.
#5
Posted 11 September 2004 - 10:04 AM
(Whatever became of Deirdre, btw? Anyone?)
#6
Posted 11 September 2004 - 02:31 PM
carbro, on Sep 11 2004, 01:04 PM, said:
My vote for Bluebird is Kevin Pugh and for Florine, Natasha Makarova.
#7
Posted 11 September 2004 - 06:37 PM
Favorite Florines were Georgina Parkinson, but not while dancing with Nureyev, and Makarova, also not dancing with Nureyev.
#8
Posted 12 September 2004 - 06:22 PM
#9
Posted 13 September 2004 - 12:47 PM
#10
Posted 13 September 2004 - 03:06 PM
#11
Posted 18 September 2004 - 09:33 AM
Favorite Bluebirds- Errol Pickford
#12
Posted 24 November 2004 - 01:09 PM
#13
Posted 07 February 2005 - 05:56 AM
Mel Johnson, on Sep 11 2004, 09:37 PM, said:
Favorite Florines were Georgina Parkinson, but not while dancing with Nureyev, and Makarova, also not dancing with Nureyev.
Can you tell me what ever happened to Graham Usher? I met him when I was a kid in the 1960's and just loved him.
#14
Posted 07 February 2005 - 06:08 AM
#15
Posted 07 February 2005 - 09:26 PM
Lovebird you are so right....--she shimmers, her whole upper body is winged.
That video is mostly kinda awful, except for Sibley -- Fonteyn is uncharacteristically awkward as Aurora; the best things on it are Gerd Larson as he queen (she is fantastic), Park as one of hte precious-metal fairies, and this absolutely transcendant performance by Antoinette Sibley as Princess Florine. It's not just technique, of which she has plenty -- it's the beauty of her line, the softness of her breathing, the delicacy of her head positions, the remarkable flexibility of her torso -- she's rarely straight up and down -- though her legs are very true and her aplomb is fantastic, she does her double ronde de jambes in the coda with her torso at quite a tilt -- beautifully lifted out of the hips, but the tilt is almost Cunninghamesque -- very classical, truly beautiful, and at high speed. Her lines are unbelievable. And all of it is so dancey, musical in the extreme.
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