POB videosdiscussion about Paris Opera Ballet videos
Started by
Guest_Rosmarinus_*
, Jun 11 2004 06:37 AM
30 replies to this topic
#16
Posted 14 June 2004 - 03:11 PM
rq, thanks v much for taking time to post this! Looks like a very interesting documentary they filmed here - what a shame it's no longer accessible to us (as far as I'm aware, it's not commercially available - is it?) ........
Mark, when you stress that "the POB is doing real great with filming in the last years", is it based on a relative comparison with other major ballet companies? If so, yes, I'd admit they were indeed doing a good job compared to, for example, companies M or B of Russia. (Considering a prestigeous place they've held in the ballet world, their neglect in this filming business is simply outrageous; it's as if they've not had a slightest interest in contributing to promote the form of art by sharing their great assets with a wider audience.) Didn't NYCB used to have the video series called "Balanchine Library"? (I'm not sure if they are still available.) It does sound like a very appealing idea to me - having POB Library, Mariinsky Library, etc. (But then I may just be day-dreaming....)
Françoise, thanks for the detailed info. on upcoming filming projects. Personally I'd trade DVDs of all of these works with a single DVD featuring Platel in the lead role (and in the classics of course)!
Mark, when you stress that "the POB is doing real great with filming in the last years", is it based on a relative comparison with other major ballet companies? If so, yes, I'd admit they were indeed doing a good job compared to, for example, companies M or B of Russia. (Considering a prestigeous place they've held in the ballet world, their neglect in this filming business is simply outrageous; it's as if they've not had a slightest interest in contributing to promote the form of art by sharing their great assets with a wider audience.) Didn't NYCB used to have the video series called "Balanchine Library"? (I'm not sure if they are still available.) It does sound like a very appealing idea to me - having POB Library, Mariinsky Library, etc. (But then I may just be day-dreaming....)
Françoise, thanks for the detailed info. on upcoming filming projects. Personally I'd trade DVDs of all of these works with a single DVD featuring Platel in the lead role (and in the classics of course)!
#17
Posted 14 June 2004 - 11:32 PM
Françoise, on Jun 14 2004, 09:45 PM, said:
Without make commercial video, they can broadcast gala on TV as they do for the Royal Ballet cloture or opening Gala of Royal Opera House of Covent Garden or some other galas. It's not because they broadcast it, they will not fill the show room :shrug: !
Yes absolutely, Naoko, I meant Mariinsky and Bolshoi especially - where no ballet video was commercially released in the last ten years outside their own theatres (even the filming of the Bolshoi's "Pharaoh's Daughter" is a French initiative). I'm afraid that we still have a much too idealistic view of this matter. It's really not about "having interest in contributing to promote the form of art by sharing their great assets with a wider audience" - it's foremost about money.
#18
Posted 15 June 2004 - 01:18 AM
Quote
It's not enough. To broadcast it once on some foreign channel in the middle of the night, and then shelve it, never to use it again - that's not very useful.
It's sure that it will be just for a night but you know perfectly that ballet amators loves to see this kind of problem and own material to record it :rolleyes: . It will be better to diffuse the great galas that some other people who never go to Ballet can see and can go after than never diffuse it.
In Russia they broadcast too many Bolshoi or Kirov Ballets on Kultura channel and it's good to can see Limpid stream, Notre-Dame de Paris, Bayadere, Eifman's ballet or other productions like that even if they don't make video after. For me it's also interesting to have the both thing !
#19
Posted 15 June 2004 - 02:13 PM
[quote name='Marc Haegeman' date='Jun 15 2004, 07:32 AM'] ![/QUOTE]
I'm afraid that we still have a much too idealistic view of this matter. It's really not about "having interest in contributing to promote the form of art by sharing their great assets with a wider audience" - it's foremost about money. [/quote]
Why not - I'd rather discuss about "ideals" than to be a wise man and keep my mouth shut without any attempt.... I mean, if us ballet fans did not bother to make our own wish-list on must-have "dream" ballet videos, who would?
I'm totally ignorant on the background of the commercial side, but one interesting point is that whenever I browse through current ballet video catalogues, I cannot help but feel that even when they venture to release non-profit making ballet videos they are not always careful in selection. Often choice of works/choreographies for certain companies/dancers seems wrong, or not convincing enough to stimulate (even a ballet fan's) appetite - I guess there must be a room for some improvements in this department. Another myth is that while there's no doubt that a ballet video wouldn't make a block-buster, does releasing a new video or two cost a ballet company dear - could it cause a financial disaster? I wonder if there really is no hope at all for ballet companies to make a profit out of this video business........
I'm afraid that we still have a much too idealistic view of this matter. It's really not about "having interest in contributing to promote the form of art by sharing their great assets with a wider audience" - it's foremost about money. [/quote]
Why not - I'd rather discuss about "ideals" than to be a wise man and keep my mouth shut without any attempt.... I mean, if us ballet fans did not bother to make our own wish-list on must-have "dream" ballet videos, who would?
I'm totally ignorant on the background of the commercial side, but one interesting point is that whenever I browse through current ballet video catalogues, I cannot help but feel that even when they venture to release non-profit making ballet videos they are not always careful in selection. Often choice of works/choreographies for certain companies/dancers seems wrong, or not convincing enough to stimulate (even a ballet fan's) appetite - I guess there must be a room for some improvements in this department. Another myth is that while there's no doubt that a ballet video wouldn't make a block-buster, does releasing a new video or two cost a ballet company dear - could it cause a financial disaster? I wonder if there really is no hope at all for ballet companies to make a profit out of this video business........



