Washington Post Review
The program was seven new works, short variations on a theme, that theme being love in several of its manifestations - by turns funky ("Memory of a Free Festival," "L'Apres Midi/La Nuit"), romantic ("Desire," "Sostenuto," "Seego,") searching ("Underneath"), and satirical ("tink tank" - sic, the title is lowercase in the printed program). Music ranged from Arvo Part's haunting "Spiegel Im Spiegel" through Matthew Fuerst, David Bowie, John Lennon, Tin Hat Trio and Go Ten Project, Rachmaninoff, John Lennon, and J. S. Bach. I don't think the choreography broke new ground, but every piece was a well-crafted miniature, with plenty of technical and artistic challenges to showcase the company's dancers. "Showcase" is the right word here, because each piece built thoughtfully upon the performers' individual strengths.
Every dancer had some great moments in this program. A particular favorite was Erin Mahoney in "tink tank." The piece, a takeoff on Muscle Beach, has Erin flirting with five musclemen and a soulful Jared Nelson. She had so much fun with this that it oughtta be illegal
To allow Sarah Kaufman the last few words, this program of short new works was a great presentation of the company dancers in all their "to-die-for fabulousness!"



