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Maya Plisetskaya


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#16 Mashinka

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Posted 15 November 2005 - 02:23 AM

This time, however, the role of Carmen will be played by Bolshoi's prima ballerina Svetlana Zakharova,


Zakharova as Carmen!? Is someone having a joke? Surely the obvious candidate for the role should be Maria Alexandrova.

#17 dachnitsa

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Posted 17 November 2005 - 08:59 AM

Maya Plisetskaya and Nadezhda Gracheva at the Bolshoi (16th Nov 2005)

#18 ViolinConcerto

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Posted 17 November 2005 - 10:37 AM

from Today's NY Times:

  Russia: Happy Birthday, Maya

  The 80th birthday of the Russian ballerina Maya Plisetskaya is being observed all across Moscow this week. Posters and banners at every turn in the city center announce the Bolshoi Theater festival in her honor that was to open last night with "Swan Lake," her signature ballet.



And here is the link: http://www.nytimes.c...rts/17arts.html

#19 drb

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Posted 17 November 2005 - 01:53 PM

from Today's NY Times:

  http://www.nytimes.c...rts/17arts.html

<{POST_SNAPBACK}>

Thanks for the link, Violin Concerto. One typo in the article, however. The dance she is to perform is Bejart's "Ave Maya", not "Ave Maria" (the music to which she dances). You may see her dancing this piece in the November 12 post on this thread. Isn't it strange that there seems to be no event honoring her in this country?

#20 drb

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Posted 19 November 2005 - 09:07 PM

HAPPY BIRTHDAY, MAYA MIKHAILOVNA!

Two weeks late, on Sunday December 4, CUNY-TV will have two programs featuring film of Plisetskaya.

2:00PM - 03:20PM
FILM: City Cinematheque: Stars of the Russian Ballet
(The best in world cinema is showcased in this regular series. Each film is followed by lively discussion with scholars, film professionals and critics....)
(1953/Russia, 81 min., color, ballet) A compilation of the best in Russian ballet. Featured dancers include Galina Ulanova, Maya Plisetskaya, Natalya Dudinskaya, Yura Zhdanov, Konstantin Sergeyev. The solo dancers are supported by the corps of the Bolshoi Ballet and the Chorus and Orchestra of the Leningrad Opera and Ballet Theatre. Distrib.: Corinth Films.

This will be followed by

03:20PM - 04:45PM
Ballet: The Little Humpbacked Horse
(1962/Russia, 84 min., color, ballet) Cast: Maya Plisetskaya, Vladimir Vasiliev, Alla Schcherbinina, Aleksandr Radunsky. Dir.: Aleksandr Radunsky. Music by Rodion Shchedrin.

#21 drb

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Posted 22 November 2005 - 09:25 AM

Here is an article (in Russian) and four photos of the Don Q part on Maya's Birthday Gala. Click on the photo and get a four picture slide show:
http://www.kommersan...ml?docId=628343

#22 Boomer

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Posted 09 December 2005 - 04:05 PM

I just recently started reading "I, Maya Plisetskaya"--her autobiography; it's a fascinating look at her life in the late soviet union, published in '01. If you're a big fan of hers, I highly recommend it...it's an intriguing look at the play between politics and the arts.

#23 carbro

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Posted 09 December 2005 - 04:25 PM

Hi, Boomer.

We have a nice thread devoted to this work. You may be interested in looking it over:
-->here.

Glad you found this site. Please visit our Welcome Page and introduce yourself! :blush:

[Editing to note, you were in there posting even as I was finding the links above! :) ]

#24 drb

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Posted 02 October 2008 - 10:51 AM

Happy Golden Anniversary, Assoluta!

On October 2, 1958 Maya Plisetskaya and composer Rodion Shchedrin were married.
Izvestia has a wonderful article, including five photos, on the marriage begun in part by an offer of getting a better apartment, that has turned out so beautifully both creatively and personally. Later this season there will be a Shchedrin premiere at Carnegie Hall, and as the article states she always accompanies her husband to such events. I've already purchased my tickets!
http://www.izvestia....article3121101/

[added a few minutes later] It seems Mr. Shchedrin has just published an autobigraphy. Here is a long extract where he speaks of their courtship (warnings that marrying her could destroy his reputation), early marriage (KGB bugged their bed room), and how the marriage has worked out:

I do not know how much the Lord will let us still live in this magical land. But I am immensely grateful to heaven and fate for our meeting and life together. We know happiness. We know love. We know Tenderness .


http://kp.ru/daily/24174.3/384300/

#25 Sacto1654

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Posted 04 October 2008 - 04:34 AM

Anyone here fluent enough in Russian to translate the articles drb posted? :shake:

#26 innopac

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Posted 19 June 2010 - 03:08 PM

This article in listed BT's 17 June 2010's links does not give the full story:


"the Kremlin had called for a public relations counteroffensive that would paint Zionism as “a vanguard of imperialism.” A large press conference was arranged with “acceptable” Jews, including the prima ballerina Maya Plisetskaya and the comedian Arkady Raikin, vowing loyalty to the Soviet Union and denouncing Zionism as expressing “the chauvinistic views and racist ravings of the Jewish bourgeoisie.”

According to wikipedia Plisteskaya "was forced to be member of the Anti-Zionist Committee of the Soviet Public by being threatened with having her passport revoked."

I wonder that the author of the article didn't include that information....

#27 leonid17

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Posted 20 June 2010 - 01:00 AM

Anyone here fluent enough in Russian to translate the articles drb posted? :)


Here is a (quaint) translation forr the Kommersant article on the occasion of Madame Plisetskaya's 80th birthday by Tatiana Kuznetsova as posted by drb.

Anniversary Ballet

In the Kremlin Palace of the gala concert in honor of 80 anniversary of Maya Plisetskaya. Tatyana Kuznetsova b-sure that this ballet in the evening in the world has not yet happened.

Start the audience in the Kremlin began as early as half past five, and those who cared to come in advance to avoid a lot of stress. Inexperienced as spectators, who arrived shortly before shown on the ticket 19.00, run into a gigantic place, blocking the entire Alexander Park. Sturm Kutafia tower danger of becoming Khodynka. Ten to eight after the gala began, but long in the dark rear-guard spectators roamed the room, driving from their seats resourceful riders.

Complimentary concert was packed in a wrapper of "Don Quixote" - the benefit of this divertissement ballet allows liberties. Directed by Alexei Ratmansky and Dmitry Chernyakov kept scenery and the general course of events, drastically changing the stuffing scenes. Almost no changes, save only the first - "On the area of Barcelona. The "tavern" define love duets of different ages and countries, as well as the Spanish "flamenco Prince" Joaquin Cortes, "the mill" to the gypsy campfire sent Cossack Regiment of the ensemble of Alexander and variations of Soviet times Hero of the Day from the repertoire performed by approx Bolshoi in "The Dream "Don Quixote dreamed Shaolin monks, and the final parade consisted of a classical pas de deux and variations of guests from different countries and was crowned by the performance itself Maya Plisetskaya.

Such plot plan may be deducted from the programs from, but the actual events unfolded unexpectedly. In the first scene on the floor collapsed, one of the three Kitri - Cuban funny, slap toes, like slippers. After her defectively-hilarious variation is the same on a giant screen hurricane danced young Plisetskaya. Half-dead audience burst into applause, came to the stage name day in another stunning dress by Cardin and the microphone to proclaim that now, the audience sees what could be the old "Don Quixote" in modern processing. Here in the neat crowd of ballet "Spaniards" cut a break-dancer in the group Da Boogie Crew - in sports trousers, stretched T-shirts and ski caps - and under optimistic Muzychko "seguidilla" zabatsali their crazy "helicopter" and "Sunshine," with Maya Plisetskaya slammed them with unfeigned enthusiasm.

The most sincere in the "Tavern" was a love scene Manon and the Chevalier des Grieux in the performance of the prime ministers of Great Britain's Royal Ballet Alina Cojocaru and Johan Kobborga - a tiny Romanian and Danish guy hot kissing so enthusiastically, as if no notice that this dance is one of the most difficult of the world ballet duets repertoire. The most stylish ballerina looked graduate of the Moscow Academy of Choreography Polina Semionova, which in Berlin polished to the level of world stars: with partner Artem Shpilevsky it turned quite banal duo Uwe Scholz - another variation on the eternal theme of "want, but I can not" - a small encyclopedia of emotions and an ode to classical perfection. But all the ballet visitors Tavern Uel Joaquin Cortes, have his own show in the anniversary gala. With its own musicians and in their own little acoustic stage, he enthusiastically pitch improvisation for improvisation, sparks sapateado, arranging a bullfight with adapted by Mulet his own jacket, from Variety conducting an audience and not paying attention to the increasingly scarce applause or the lonely cry of "Basta !. Exhausted, furious Spaniard brought onto the stage Maya Plisetskaya and jokingly made it a couple of steps. And then began a real bullfight. Fixed his eyes on the bridge of Partner, 80-year-old dancer to the challenge: stamping silver heels, whip hand Spanish monograms, she arranged Joaquín Cortés pereplyas such that the poor Spaniard, no longer looked for him to finish: and kissed the hands of partner, and on his knees grew, and then simply dragged their feet shoes and presented the Hero of the Day. Not at all discouraged by Maya Plisetskaya, proudly shaking booty, though conquered in fair fight ears of the bull, triumphantly withdrew from the arena.

The second act started well chosen photo chronicle of how year after year, the high official guests of the Soviet Union visited the Bolshoi Theater, watching the same "Swan Lake" with Maya Plisetskaya always informal. Kinoryad reinforce living variations of ballet heroines of that era, but has withstood the test of time unless Laurencia performed by Maria Alexandrova. The absurdity of socialist realism was replaced by pure nonsense. Under purring Minkus music on the background backdrop of the Himalayan mountains slender ranks of Shaolin monks in orange robes wildly demonstrated their superhuman skills: laying legs behind her ears, tumbled just not at the nostrils, jumped on a couple of yards up and collapsed back on the floor, in an idyllic Finals were broken on the heads of large clubs.

The last evening was a dance extravaganza set to music usher Cupids, tore the most thunderous applause (except for performance of the heroine herself pm). To perform selected the most respectable ladies and complete, and how elegantly and artistically they were dressed keeper theatrical history with baskets of flowers in their hands! Against the background of this unique rally faded, and many times he had seen the pas de deux from "Don Quixote" and the subsequent variation in the performance choice of artists. The evening ended with the promised performance of Maya Plisetskaya in bezharovskom room "Ave Maya!" - In my opinion, too mournful to the festive burlesque, stretching for four hours. The audience screamed, ballerina encore in the next row was sobbing aged Patrick DuPont - one of the many Partners Maya Plisetskaya, Etoile and former artistic director of the Paris Opera. And no one greeting government did not darken this popular fraternization.

#28 dirac

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Posted 20 June 2010 - 10:49 PM

This article in listed BT's 17 June 2010's links does not give the full story:


"the Kremlin had called for a public relations counteroffensive that would paint Zionism as "a vanguard of imperialism." A large press conference was arranged with "acceptable" Jews, including the prima ballerina Maya Plisetskaya and the comedian Arkady Raikin, vowing loyalty to the Soviet Union and denouncing Zionism as expressing "the chauvinistic views and racist ravings of the Jewish bourgeoisie."

According to wikipedia Plisteskaya "was forced to be member of the Anti-Zionist Committee of the Soviet Public by being threatened with having her passport revoked."

I wonder that the author of the article didn't include that information....


The article is an op-ed and it leaves out a lot of inconvenient information, in the manner of many editorials.


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