The Millenium Awards
Posted 29 December 1999 - 07:50 PM
I noticed something that wasn't on your "poll".....What has harmed ballet the most? My vote: Sports. Need I say more?
Guest_Dancing on Sunshine_*
Posted 29 December 1999 - 11:28 PM
[This message has been edited by Dancing on Sunshine (edited December 29, 1999).]
Posted 30 December 1999 - 08:06 AM
Ballet Person of the Century: Balanchine
Ballet of the Century: Nutcracker, love it or hate it (yes, I know it's originally 19th century, but you have to admit that it's the one ballet that's been absolutely ubiquitous in the 20th century -- from the Kirov and NYCB to dance school recitals everywhere)
Posted 01 January 2000 - 11:32 AM
Baryshnikov's comment that has been
trashed here to some extent: Misha did
bring ballet to mainstream America, which
helped change people's perception of this
art form. Edward Vilella did to some
extent, also. Remember his appearance on
the TV show "The Odd Couple"? But
Baryshnikov took ballet's exposure to the
next level with his television specials,
and more importantly, I think, with his
movies. I'm sure alot of people came to
see a ballet performance after they saw
"The Turning Point", "White Nights" or
"Dancers" and got "hooked" on it, like
me! His charisma added to the appeal.
Ballet attendance increased not only at
performances, but also in ballet schools.
It's only a matter of time before
Baryshnikov is honored by the Kennedy
Center with one of those lifetime
achievement awards. He deserves it
Posted 01 January 2000 - 02:13 PM
Posted 03 January 2000 - 03:35 PM
Posted 03 January 2000 - 03:55 PM
Posted 03 January 2000 - 04:39 PM
I've played sports my whole life and go to the ballet. Plenty of professional athletes take ballet classes, including basketball, football and of course, figure skating.
I don't know if you can really say anything has "harmed" ballet. It's still around, it's just changed, it's different now than before and 50 years from now (God willing) it will be different still.
Posted 04 January 2000 - 07:27 PM
The first is that in the past, ballet attracted physically active girls who today have more options; hence, sports drains the talent pool. Another is related, and that is that in the 19th century, there weren't many spectator sports. Today, audience members who enjoy athletic performance can go to skating, football, etc. I don't know if that's what Allegro was referring to.
On the other point that rrfan raised: "I don't know if you can really say anything has "harmed" ballet. It's still around, it's just changed, it's different now than before and 50 years from now (God willing) it will be different still" -- this argument will keep being raised, I suppose, as long as there is ballet. Since I'm pretty sure I agree with Mary's reasons on this, I thought I'd try one more time to explain the "it's ruined" position.
I think this is different from past generations (as always with me, unless I say differently, this is an American perspective). People who loved Fokine and Massine may well have decried Balanchine because it was "different" (i.e., no good), just as people who came to ballet during the Balanchine era found Fokine/Massine old-fashioned or "no dancing in it," etc. Fonteyn fans were reluctant to accept Makarova. Makarova fans may well be reluctant to accept Guillem.
But what we Chicken Littles are complaining about now is not the same thing. The problems, which did begin in the 1970s, at least this time, is a decay of the craft of artistic direction and balletmastering. The difference between dancing differently and dancing ballets "wrong" is hard to understand, I think, unless you've seen the ballets danced "right." Yes, there are changes in style. But when the steps are smudged, when the musical accents are betrayed, when a delicate ballet is danced as low comedy, when one constantly sees good ballets danced poorly -- underrehearsed, badly cast, misunderstood by the dancers -- and one still has a clear picture of what the ballet looked like in its prime, then one uses words like "ruin."
"Giselle" is very very different from when Grisi danced it, but if you've seen dozens of different interpretations from different companies over a number of years, I think you begin to have a sense of what is simply a different interpretation, and what could be called "Clueless in Silesia."
Audiences will probably always be generally happy with what they see, because, if you're paying for a ticket and you have to look at stuff you don't want to see, you'll stop buying tickets. So the Chicken Littles will never be believed, perhaps, except by other Chicken Littles. There were undoubtedly people in the Paris Opera Ballet audience during the 1880s and '90s who were quite happy with what they saw, and groused about those old guys who complained that so-and-so was no Taglioni, Grisi, Elssler, etc. Or who thought ballet was much better without male dancers at an equal level to the ballerina.
So yes, dance does change, but there are the high periods and the low periods, and I don't think that now is "just different."
Posted 05 January 2000 - 03:53 PM
Also, sports may have increased the virtuosity level in dance. I think in the past 50 years, dance has been raised to a level that would have been unheard of before. Pavlova, and all the other famous dancers of her time, were known for their grace and artistic ability. I think I even heard somewhere that Margot Fontyn didn't believe it was nesscessary for an extention to be above 90 degrees.Now, it is the age of higher jumps, more turns, and greater strength.
I hope I clarified myseld somewhat!
Posted 05 January 2000 - 06:12 PM
Besides, sports have been around for a long time. Olympic events have more attendance than the Super Bowl.
It could be argued that ballet took away from sports, since the Greek Olympics were going on way before Louis XIV came around.
It's like saying the Internet took away from reading books or something. Ballet is not for everyone. As much as we would like for it to be. It's art and it's subjective. i don't particularly care for Monet, but millions of others love him. But I can't say that Shakespeare ruined Monet, because I prefer to read a book than go to the museum. Am I making sense, it's been a long day!
Posted 10 January 2000 - 12:32 AM
Posted 10 January 2000 - 03:07 PM
Posted 10 January 2000 - 08:28 PM
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