3rd Bournonville Festival (June 2005)
Posted 03 March 2004 - 06:00 AM
The program for the 2005 Bournonville Festival of the RDB is available on that page:
(Edited to add the following:)
It will include:
"La Ventana" (staged by Frank Andersen)
"Kermess in Bruges" (staged by Lloyd Riggins)
"Napoli" (staged by Frank Andersen, Eva Kloborg, Anne Marie Vessel Schlüter, Dinna Bjørn and Thomas Lund)
"La Sylphide" (staged by Nikolaj Hubbe)
"Abdallah" (staged by Sorella Englund, Flemming Ryberg and Bruce Marks)
"Le Conservatoire" (staged by Dinna Bjørn and Eva Kloborg)
"Far from Denmark" (staged by Flemming Ryberg)
"The King's Volunteers on Amager" (staged by Anne Marie Vessel Schlüter)
"A Folk Tale" (staged by Anne Marie Vessel Schlüter and Frank Andersen)
and a gala "Bournonvilleana"
All work wil be performed only once, except "La Ventana" and "La Sylphide" (twice each).
Alexandra and other RDB specialists, what do you think of it?
Posted 03 March 2004 - 06:05 AM
Posted 03 March 2004 - 06:39 AM
Some of these ballets -- the "little" ones that so many of the Danes scorn (Lifeguards and Far From Denmark) have been out of repertory for 13 years and were only in repertory for a very brief time then; they haven't been part of the company's life since 1985.
Posted 03 March 2004 - 08:11 AM
It doesn't seem very logical to revive some works for one performance only after 13 years- that's a lot of work for the dancers for only one evening, and they don't get any opportunity to get used to the roles...
Posted 03 March 2004 - 11:05 AM
I'm sure that these ballets will be revived next season for a few performances before the Festival, so it won't be just one performance, but they're not part of the repertory. One thing I am glad about is that in 2000, at the Bournonville Week, I spoke with one of the members of the management team, who said that they were considering using a director from the Royal Theatre's drama division to "fix" "The King's Volunteers on Amager." (An absolutely perfect ballet that does not need enhancement, IMO.) There's no sign of this, so perhaps they learned from the "Kermesse" disaster in 2000, when a director was brought in, as well as a new "interpretation" of the score that there are some things that need to be left alone.
The same productions of Folk Tale and Napoli, staged by the same people, were presented at that Bournonville Week, and they were not well-received. There were grumbles that "the Bournonville Gang" -- Frank Andersen, Dinna Bjorn, Anne Marie Vessel Schluter, Eva Kloborg -- had had the repertory for the past decade and it was time for a new team.
The good part about these stagings, from my point of view, is that they are accurate as far as text goes -- they don't set "Napoli" in Milwaukee in 1920, say, and the steps are there. The problems lie in directing and, especially, casting. There seems to be an "if we put everybody in a role, surely one of them will be right!" way of doing things. I don't think these stagings make a good case for Bournonville, and although it's wonderful to have a festival celebrating his life and work, if the result is that the audience (not the foreign critics, at whom the festival is all too obviously pitched) is confirmed in its perception that Bournonville is hopelessly old-fashioned, overly cute and of interest only to American tourists and children, then I think the results are not what the planners hope for and intend.
Of course, there are some wonderful Danish dancers who are well worth seeing, and the "La Sylphide" is at the same level as the best productions of that ballet. The dancers I interviewed all said they were inspired by working with Hubbe, and what they learned from working with him may carry over into other ballets. As always, I live in hope During the Revolving Door period, when there was a different artistic director and aesthetic nearly every season, I'd get calls from friends from time to time, when a ballet that the dancers really cared about was on, saying "you could tell that the dancers were fighting for it" -- i.e., fighting to make it work, kind of, I imagined, like pilots trying to land planes in moutainous terrain on a moonless night. I hope the dancers will fight for Bournonville.
Posted 05 March 2004 - 04:56 AM
Posted 05 March 2004 - 09:38 AM
Posted 05 March 2004 - 03:27 PM
Posted 16 March 2004 - 07:51 AM
Last time Ventana was drooped probably due to the fact that it contains two very difficult male parts, which was hard to cast. For this years festival a good cast could be:
The Senor Mads Blangstrup
The Senorita Gitte Lindström
Pas de trois Thomas Lund, Gudrun Bojesen, Sacha Haugland
Kermes in Brügge
Carelis Thomas Lund
Eleonora Gudrun Bojesen
Marchen Christina Olsson
Johanna Diana Cuni
Geert Peter Bo Bendixen
Adrian Niels Balle
Mme Van Everdingen Rose Gad (she would be great in that part)
Pas de deux Kenneth Greve Silja Schandorff
Gennaro Mads Blangstrup
Teresina Gitte Lindström
La Sylphide Mads Blangstrup/Kenneth Greve
Gudrun Bohesen/Silja Schandorff
Abdallah Thomas Lund/Kristoffer Sakurai
Irma Gudrun Bojesen/Tina Højlund
Palmyra Caroline Cavallo/Silja Schandorff
Far from Denmark
Vilhelm Mads Blangstrup
Rosita Gitte Lindstrøm
Alvares Kristoffer Sakurai
Poul Diana Cuni
Edward Femke Mølbak Sloth
The kings Volunteers
Eduard Kenneth Greve
Louise Silja Schandorff
Pas de trois Amy Watson, Femke Mølbach Sloth, Thomas Lund
Farm girls Tina Højlund
A Folks tale
Hilda Gudrun Bojesen
Ove Mads Blangstrup
Birthe Gitte Lindstöm
It shows from my casting suggestion that few of the foreignborn dancers can really do justice to Bournonville and that few dancers can act. Yes I rely much on Mads langstrup and Gudrun Bojsen, but thaat must bethe case as they are the most "Danish" dancers in style and ability. They both have a certain reminicence of the fifties style in their dancing.
Posted 17 March 2004 - 05:11 AM
Posted 17 March 2004 - 02:20 PM
Posted 18 March 2004 - 07:45 AM
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