Jump to content


If you could only save one ballet.....


  • Please log in to reply
41 replies to this topic

#31 Mary J

Mary J

    Senior Member

  • Senior Member
  • PipPipPip
  • 139 posts

Posted 27 January 2004 - 07:08 AM

Apollo! Symphony in C a close second.

#32 atm711

atm711

    Platinum Circle

  • Senior Member
  • PipPipPipPipPipPipPip
  • 1,422 posts

Posted 27 January 2004 - 12:56 PM

I know.  I've seen excerpts on film.

I sort of gave myself a mental exercise, because I do like the lighter quality of the white in Barocco.  But Agon needs not only the black, but the contrast of the black and white in the sections where the whole cast is on stage.

Just as you say, Carbro--it's the contrast that I miss, and I'm pretty certain that you would not like an alll white 'Agon', and I gag when I think of the original Barocco costumes. It was quite revolutionary, at the time, and most of the audience did not know how to take it--including most of the critics. I must admit, I was in that group. When The Ballet Russe was performing this, Ballet Theatre was in the midst of a very glamorous season---Markova, Toumanova, Riabouchinska--Hence, Barocco was a shock to our system---but Balanchine slowly reeducated us.

#33 CalMia

CalMia

    Member

  • Member
  • PipPip
  • 17 posts

Posted 27 January 2004 - 05:28 PM

Oh my goodness the Horror of just Picking one :). I actually read this thread last night and became upset trying to think of which one is my favorite. At first I thought Serenade, but where would the worl be without Concerto Barocco. Then what about 4t's, and Stravinsky Violin is just so cool. Then there's Square Dance, I could dance that ballet forever, and the male solo is just perfect. Oh and Agon, Rubies, Prodigal Son, Theme And Variations, Symphony in C, Symphony in 3, I can't imagine being a dancer, and not having these works to dance. So If I had to make a decision in the case of the "Burning Building" emergency, I'll burn up with them cause I cant just pick one. On the other hand there are a few of his ballets that I think we could do without, I won't mention names, but they know which ones they are. :dry:

#34 Globetrotter

Globetrotter

    Member

  • Member
  • PipPip
  • 67 posts

Posted 02 February 2004 - 03:26 PM

I find Concerto Barocco (especially the second movement) unbelievable. It's as though Bach & Balanchine colaborated at the outset.

#35 LMCtech

LMCtech

    Bronze Circle

  • Member
  • PipPipPipPip
  • 310 posts

Posted 04 February 2004 - 09:36 PM

Serenade. Four T's in a close second.

#36 Natalia

Natalia

    Rubies Circle

  • Foreign Correspondent
  • PipPipPipPipPipPipPip
  • 4,388 posts

Posted 06 February 2004 - 07:44 AM

Theme & Variations.

Tie between Symphony in C and 'Diamonds' portion of Jewels for second place. (Yeah, I'm greedy!)

#37 jimmattimore

jimmattimore

    Senior Member

  • Senior Member
  • PipPipPip
  • 146 posts

Posted 06 February 2004 - 10:26 PM

"Serenade"

#38 AmandaNYC

AmandaNYC

    Bronze Circle

  • Senior Member
  • PipPipPipPip
  • 336 posts

Posted 08 February 2004 - 04:14 PM

Serenade.

I still see new things in this ballet each time I see it... and I have seen it many, many times! And, the casting doesn't seem to make as much a difference in my enjoyment of Serenade as it does for other ballets (e.g., Barocco, Apollo). Four T's would be my back-up, though it's not a sentimental favorite of mine. It is, however, the other ballet that stands up against bad casting for me (not that i have seen many bad casts).

-amanda, who will eventually post reviews of the current season...

#39 Roma

Roma

    Senior Member

  • Senior Member
  • PipPipPip
  • 190 posts

Posted 08 February 2004 - 06:22 PM

I would choose Liebeslieder, but I know that if it is the only one left, there isn't anyone around who can stage it properly (even now, over at the POB it looks quite, quite dead), so I cast my vote for 4T---it could survive on construction alone, and it is a wonder.

#40 Helene

Helene

    Administrator

  • Administrators
  • PipPipPipPipPipPipPipPip
  • 10,990 posts

Posted 08 February 2004 - 11:49 PM

I would choose Liebeslieder, but I know that if it is the only one left, there isn't anyone around who can stage it properly

Karin von Aroldingen did a wonderful staging of Liebeslieder Walzer for the San Francisco Ballet in 1998. I suspect that Suzanne Farrell could stage it as well, having danced at least the Diana Adams role. In a Q&A after a recent Pacific Northwest Ballet performance, artistic directors Francia Russell and Kent Stowell said that this ballet was their personal favorite of Balanchine's ballets. I'm not sure if either danced in the ballet -- I suspect Stowell did -- but Russell was one of the first stagers for NYCB under Balanchine, and if she weren't able to stage it herself, she would be able to assess the quality of someone else's.

#41 Roma

Roma

    Senior Member

  • Senior Member
  • PipPipPip
  • 190 posts

Posted 09 February 2004 - 10:10 AM

Von Aroldingen and Leland also staged the POB's version. Perhaps something got lost in translation:) But we are talking a 100 years from now--the present stagers will be dead, and mercifully so will I, and will not have to suffer through hand-me-downs of Yvonne Borree's stagings of Barocco, Serenade, Apollo, and/or Square Dance.

editing to add: Stowell did dance in Liebeslieder. I have a beautiful photo by Martha Swope of him and a very young Suzanne Farrell in the "whispering" duet.

#42 Guest_GaynorGirl_*

Guest_GaynorGirl_*
  • Unregistered / Not Logged In

Posted 29 February 2004 - 06:18 PM

I would have to say Slaughter or Harlquinade jk lol

I would have to choose Serenade closly followed by Apollo, although I did love Miranda Weese in Tschaikovsly Piano Concerto No.2 this season.

:unsure: Gaynor Girl


0 user(s) are reading this topic

0 members, 0 guests, 0 anonymous users


Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases (adblockers may block display):