Raymonda. Itís a huge ballet, and Nureyev is so complicated, it is the most difficult ballet of my life. You have six or seven variation, three pas de deux, at the end you are dead. Itís good to do it because you keep a good technique, when you can dance this you can dance everything. But for me itís too much, itís like eating too much. There is a lot of technique in this ballet but the pleasure is very little. When you work with a choreographer you can meet each other or not, sometimes you can have a fight but you can feel something. With Nureyev of course itís different because he is dead. So, sometimes Iím a little bit frustrated with his choreography because I donít like to work only on videos, or with other dancers who say: ďI was doing thisĒ and another one ďno, I was doing thatĒ.