While I was not really :eek: impressed by the male principals (low demi-pointe in their turns and piques) and a certain female principal wearing totally worn-down, grotesque shoes that were frayed and visibly dirty from even the balcony.. I really enjoyed myself and felt extremely lucky to see such a gathering of professionals on one stage (they did a little number at the end to the music following Kitri's Wedding in Don Q.. it was so neat!) And of course, I should feel lucky that I was able to give the dancers leis, and after my brief two seconds on stage, my knees were about to give out from shock of being in such close proximity of stars!
During intermission, my friends and I gathered in the lobby to discuss how the first act went. (Tchaikovsky Pas de Deux, Spanish Song, Chaconne, Adagio for Strings, and Black Swan pdd). Everyone was just ecsatic about the super-duper high extensions that seemed to make up 99.9% of Adagio for Strings, with Lucia Lacarra and Cyril Pierre. Now, I was just as wowed as the person next to me from her hyperextended legs and liquid-like backbends, but after five minutes of acrobatics like that, I was feeling rather bored.
The second act (Two Bits, Sleeping Beauty pdd, revelation, Dying Swan [THE most beautiful solo, with Muriel Maffre], and Don Q. suite) was a little better. However, that annoying
I'm just wondering, do most of her perfomances follow along these showy lines? She's a beatiful dancer, but.. I don't know, I'm young and I don't know much about professional performances.
--Luka



