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Spring season


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#1 Alexandra

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Posted 17 November 2003 - 11:25 AM

ALL-NEW PRODUCTION OF RAYMONDA BY
ANNA-MARIE HOLMES AND KEVIN McKENZIE TO HIGHLIGHT
AMERICAN BALLET THEATRE’S 2004 SPRING SEASON AT THE METROPOLITAN OPERA HOUSE, MAY 10 THROUGH JULY 3


ALL-BALANCHINE PROGRAM TO FEATURE
COMPANY PREMIERE OF MOZARTIANA AND REVIVAL OF BALLET IMPERIAL
IN HONOR OF THE CHOREOGRAPHER’S CENTENNIAL CELEBRATION


90TH BIRTHDAY CELEBRATION FOR FREDERIC FRANKLIN ALSO PLANNED


American Ballet Theatre’s 2004 Spring Season at the Metropolitan Opera House, May 10 through July 3, was announced today by Artistic Director Kevin McKenzie. Highlighting the engagement will be an all-new production of the full-length Raymonda, and the Company Premiere of George Balanchine’s Mozartiana, as part of a salute to the choreographer’s centenary.

Principal Dancers for the engagement will include Nina Ananiashvili, Maxim Beloserkovsky, Julio Bocca, Jose Manuel Carreño, Angel Corella, Herman Cornejo, Irina Dvorovenko, Alessandra Ferri, Marcelo Gomes, Guillaume Graffin, Paloma Herrera, Amanda McKerrow, Gillian Murphy, Xiomara Reyes, Ethan Stiefel and Ashley Tuttle.

ABT’s Spring Season is made possible with public funds from the New York State Council on the Arts, a state agency, and the National Endowment for the Arts.

The 2004 Spring Season will kick-off with an Opening Night gala performance on Monday, May 10 at 6:30 P.M. For information about the Opening Night Spring Gala, please call the Special Events Office at 212-477-3030, ext. 3239. ABT’s Spring Gala is sponsored by Signature Bank.


United States Premiere of All-New Raymonda

American Ballet Theatre will present the United States Premiere of an all-new production of the full-length Raymonda on Friday evening, May 21 at 8 P.M. Choreographed by Anna-Marie Holmes and conceived and directed by Anna-Marie Holmes and Kevin McKenzie, Raymonda is set to the music of Alexander Glazunov, arranged by Ormsby Wilkins, and features sets and costumes by Zack Brown (Swan Lake and Dorian) and lighting by Steen Bjarke. A co-production with the Finnish National Ballet, the all-new Raymonda was given its World Premiere in Helsinki by the Finnish National Ballet in May of this year. A preview of Raymonda (Grand Pas Classique), with choreography by Anna-Marie Holmes, was presented in October of this year during ABT’s City Center engagement.

The World Premiere of Raymonda, choreographed by Marius Petipa, was given in 1898 by the Imperial Ballet at the Maryinsky Theatre in St. Petersburg, Russia. In 1964, Rudolf Nureyev restaged Raymonda with additional choreography for the Royal Ballet Touring Company. The production received its American Ballet Theatre premiere in 1975 in Houston, Texas with Cynthia Gregory as Raymonda, Rudolf Nureyev as Jean de Brienne and Erik Bruhn as Abderakhman.

Major funding for Raymonda has been provided by the National Endowment for the Arts.


An all-Tchaikovsky Salute to George Balanchine

In tribute to the centenary of choreographer George Balanchine, American Ballet Theatre will present a program of his works, all set to the music of Peter Ilyitch Tchaikovsky. The all-Balanchine/Tchaikovsky programs will be performed May 24 and May 26-31. Highlighting the program will be the Company Premiere of Mozartiana on Monday evening, May 24. Created in 1981, Mozartiana is one of Balanchine’s last works. Set to Suite No. 4 Mozartiana by Tchaikovsky, Mozartiana features costumes by Rouben Ter-Arutunian. The ballet will be staged for ABT by Maria Calegari.

George Balanchine’s Ballet Imperial will have its revival premiere on Monday evening, May 24 with Gillian Murphy, Carlos Molina and Michele Wiles performing the leading roles. Set to Tchaikovsky’s Concerto No. 2 in G for Piano and Orchestra, Ballet Imperial features costumes by Rouben Ter-Arutunian and lighting by Jennifer Tipton. Last performed by ABT in 1996, Ballet Imperial received its World Premiere by American Ballet Caravan in 1941 and first entered ABT’s repertory in 1988. Colleen Neary will stage the revival of Ballet Imperial for ABT.

American Ballet Theatre’s all-Balanchine/Tchaikovsky program will also include Theme and Variations and Tchaikovsky Pas de Deux. Paloma Herrera and Marcelo Gomes will lead the season’s first performance of Theme and Variations on Monday evening, May 24. ABT’s production of Theme and Variations, staged by Kirk Peterson, recreates the original version choreographed by Balanchine for Ballet Theatre in 1947.


Full-length Ballets

In addition to the all-new Raymonda, American Ballet Theatre will present five full-length ballets during its Spring season.

La Bayadère, choreographed by Natalia Makarova after Marius Petipa, will be given nine performances beginning Thursday evening, May 13 with Nina Ananiashvili as Nikiya, Julio Bocca as Solor and Gillian Murphy as Gamzatti. Set to music by Ludwig Minkus, specially arranged by John Lanchbery, La Bayadère features scenery by PierLuigi Samaritani, costumes by Theoni V. Aldredge and lighting by Toshiro Ogawa. The full-length production of La Bayadère received its World Premiere by ABT in May 1980 at the Metropolitan Opera House.

Don Quixote, staged by Kevin McKenzie and Susan Jones, after the choreography of Marius Petipa and Alexander Gorsky, will be given eight performances, June 7-12. Nina Ananiashvili and Jose Manuel Carreño will lead the season’s first performance of Don Quixote, which is set to the music of Ludwig Minkus and arranged by Jack Everly. The ballet features scenery and costumes by Santo Loquasto and lighting by Natasha Katz. The McKenzie/Jones staging of the current production was first performed by ABT in June 1995.

Kevin McKenzie’s production of the Tchaikovsky classic, Swan Lake will have its first performance of the season on Monday evening, June 14 with Gillian Murphy as Odette/Odile and Jose Manuel Carreño as Prince Siegfried. Swan Lake, staged by Kevin McKenzie after Marius Petipa and Lev Ivanov, has scenery and costumes by Zack Brown and lighting by Duane Schuler. McKenzie’s staging received its World Premiere in March 2000 at The Kennedy Center for the Performing Arts. Generously underwritten by the Rosh Foundation, the ballet will continue for eight performances through June 19.

The season’s first performance of Romeo and Juliet will be performed by Alessandra Ferri and Angel Corella on Monday evening, June 28. Choreographed by Kenneth MacMillan, Romeo and Juliet is set to the score by Sergei Prokofiev and features scenery and costumes by Nicholas Georgiadis and lighting by Thomas Skelton. The ballet was first choreographed for The Royal Ballet in 1965 and received its ABT premiere in January 1985. ABT’s performances of Romeo and Juliet will continue through July 3.


Celebration in Honor of Frederic Franklin

Eight performances of Coppélia, staged by Frederic Franklin, will be highlighted by a special celebration of Franklin’s 90th birthday on Wednesday evening, June 23. A distinguished ballet master and choreographer, Franklin was one of the original members of the Ballet Russe de Monte Carlo and has appeared with American Ballet Theatre in recent years. Coppélia is set to the music of Léo Delibes and features scenery by Tony Straiges, costumes by Patricia Zipprodt and lighting by Brad Fields. Franklin’s staging of Coppélia, which will be performed June 21-26, received its Company Premiere in February 1997. Leading the opening night cast of Coppélia will be Ashley Tuttle as Swanilda and Angel Corella as Franz.


Additional repertory for American Ballet Theatre’s 2004 Metropolitan Opera House season includes Antony Tudor’s Pillar of Fire, staged by Donald Mahler and Within You Without You: A Tribute to George Harrison, choreographed by David Parsons, Ann Reinking, Natalie Weir and Stanton Welch.


ABTKids

ABTKids, a special one-hour family friendly performance, is scheduled for Saturday, June 5 at 11:30 A.M. Narrated by a member of ABT’s artistic staff, ABTKids presents age-appropriate excerpts from the season’s repertory. All tickets for ABTKids are priced at $18. American Ballet Theatre’s annual Family Day Benefit will coincide with ABTKids on June 5 at 11:30 A.M. followed by a luncheon in the Tent at Lincoln Center. For information on Family Day, please call ABT’s Special Events office at 212-477-3030, ext. 3239. Reckson Associates is the Principal Corporate Sponsor of ABTKids.


Family Series

The matinees on Saturday, May 22 (Raymonda), and Saturday, June 26 (Coppélia) will offer tickets for children ages 4-14 at 50% off regular price with the purchase of one adult-priced ticket. Pre-performance workshops are also available on Saturday, May 22 (11:00 A.M.-12:00 P.M.), Saturday, June 5 (9:30-10:30 A.M.) and Saturday, June 26, (11:00 A.M-12:00 P.M). Tickets to the workshops are $20 per person and are available to ticket holders for the performance following the workshop.


ABTalks

ABTalks, 30-minute pre-curtain discussions, are held in List Hall one hour prior to performances and are free to ABT ticket holders. Please see schedule attached for dates.

Subscriptions for American Ballet Theatre’s 2004 Metropolitan Opera House season are on sale now by phone at 212-362-6000 and by mail. For more information, visit ABT’s website at www.abt.org <http://www.abt.org.

#2 liebs

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Posted 17 November 2003 - 12:27 PM

Interesting, lots of ballerina roles to fill but very few ballerinas. Balance of casting should be interesting - maybe we will get to see more of Meunier and Part at last.

#3 cargill

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Posted 17 November 2003 - 05:28 PM

I was really disappointed that they aren't doing any Ashton, especially since Symphonic Variations really looks best in a large house. It is his anniversarry too, and they have done such a good job recently dancing Ashton, it would have been nice to build on it. But I will keep my fingers crossed for Part and Meunier as Gamzatti!

#4 Alexandra

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Posted 17 November 2003 - 05:42 PM

Maybe they're saving Ashton for next season? His birth year is 1904, but he was born in September -- just a bit before the City Center season, but one can hope.

#5 nysusan

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Posted 19 November 2003 - 08:15 PM

I was just typing this up when I saw Petite Arabesque’s post in the “Met Season” thread. Finally, the season brochure! :yes:

Here are some casting highlights.

First the bad news - no sign of Meunier or Part. Of course, there are numerous TBA's and the casting only includes the 2-3 top principal roles. :shrug:

Now the good news - Wiles & Hallberg not only get a Raymonda (6/5 mat), they also get a Swan Lake - the June 16th matinee :bouncing: Judging by their City Center debuts in Raymonda & T&V, IMO they are a little raw for Swan Lake but - still well worth taking a day off work to see their first attempt!!!

Also for Wiles/Hallberg watchers:
Wiles is cast as Gamzetti In Bayadere on 5/17
Wiles /Hallberg in Tchaikovsky PDD on 5/29 mat
Wiles /Hallberg in Theme & Variations 5/29 eve
Murphy/Hallberg in Theme & Variations 5/26 eve

Here is some additional casting:

Romeo & Juliet:
McKerrow/ Stiefel 6/30 eve :party: Ferri/Corella 6/28,Ferri/Carreno 6/29 :party: :party:
Dvorovenko/Beloserkovsky 6/22,
Reyes/Cornejo 6/23 mat & 6/25, Murphy/Gomes 6/23 & 6/26

Raymonda:

Ananiashvili/Carreno/Saveliev 5/22 &6/3,
Dvorovenko/Beloserkovsky/Molina 6/1
Murphy/Corella/Radetsky 6/4 & 6/2 mat
Reyes/Stiefel/Cornejo 5/22 mat
Herrera/Gomes/Bocca 6/2 & 6/5

No casting has been announced yet for Repertory Program 1 - Pillar & Harrison tribute or for Motzartiana in the Balanchine tribute program (Rep Program 2) Murphy/Molina are doing 3 performances of Ballet Imperial, , Ananiashvili/Carreno and Herrera/Saveliev et 2 erformances each. Nice that their mixing up the pairings. :thumbsup:

#6 bingham

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Posted 20 November 2003 - 03:03 AM

What happened to Symphonie Concertante?
Joe

#7 cargill

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Posted 20 November 2003 - 10:28 AM

Another thing that disappointed me in the Spring schedule was no Les Sylphides. Since ABT went to so much trouble to stop the Cubans from dancing it and competing with ABT's version (and cheating the audience big time!), they could at least have put it on, I think.

#8 BW

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Posted 20 November 2003 - 03:41 PM

Amen!

I am going to go out on a limb and say that I just can't stand it that they seem to do the same ballets over and over without interspersing some "new" old classics.

I've gotten a major barrage from ABT's subscription department practically begging me to subscribe for the Spring season...with all sorts of bribes. I tried politely to explain that I couldn't possibly subscribe without knowing what the ballets were (at this time they were not published), and then I tried, again politely, to 'just say "No" - but alas I was not direct enough. :flowers: My fault, I guess.

But I'm with you carbo on Les Sylphides. :yes:


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