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A very interesting article in today's ArtsJournal newsletter about a nostalgia for Modernism in the post-9/11 world. For those interested in Po-Mo (postmodernism) or curious about what the heck it is, this article in the Statesman explains a lot:

Ransom exhibit reminds us we are all moderns now

We are all moderns now.

The advent of 9/11 spelled not only the end of irony, but also of irony's close cousin, postmodernism.

That late 20th-century cultural movement, which bounced from the street to the college classroom with the ease of a hip-hop lyric, mixed high art with popular culture, radical politics with rarefied theory, fragments from the known past with a suggestion that there could be no definitive human expression.

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