I'd forgotten to post a link to Nancy Dalva's Merce piece in DanceView Times, which covers each night of the season, but now that it's off our front page, I wanted to put the direct link here:
Rolling the dice gives a moment of wonder, the imagination conjuring. A split-second later, the dice at rest, the mind becomes active.— Merce Cunningham
Of all of the multiple innovations in the work of Merce Cunningham, the use of chance is the most confusing. Such a clear thing, this toss of a die, or a handful of pennies, and yet chance is the Holy Ghost of Dance—the part of the Cunningham Trinity taken on faith, and dimly apprehended. The independence of dance as an art form–the notion that dance does not need music, but may simply coexist with it—still may seem heresy to some, but as an idea it is well understood. The separation of dance from story is now old hat, or old enough, though still giving rise to the notion that Cunningham's dances are "abstract," when dance, because it is done by people, can never really be abstract. But chance! Chance makes people think of randomness, of disorder, of improvisation, of fate and fortune, of things made up as they are happening, or just before. Nothing, though, could be further from the Merceian truth, which is quite the opposite. His is not the unhinged Miltonic world of Paradise Lost, where "Chaos umpire sits," and "Chance governs all." Not in the slightest. In his world, Merce governs all, even when by a kind of non-doing, this latter being neither benign nor malign, but a kind of sovereign absenting of ego. Even when Cunningham does not make choices—as when, for instance, he leaves the decor to the art director, or some similar personage, who chooses the artists; and likewise hands off the music—he has chosen the chooser. The truth is that in his world, Cunningham is God. Every choice, or non-choice, is made by him.
In the chance procedures Cunningham uses at some point in the making of each of his dances, all the available elements are his. This movement first, or that one? The moves are all his. What number of dancers? The number available is up to him. Chance is simply a marvelous surprise-generator. And Cunningham likes surprises. Thus he must have enjoyed his season this past week at the Brooklyn Academy of Music, where chance procedures went public.