LE PALAIS DE CRISTAL, 3e mouvement
Posted 19 September 2003 - 03:36 PM
Posted 23 September 2003 - 07:11 PM
The casts were:
First Movement: Elizabeth Maurin/Charles Jude
Second Movement: Sylvie Guillem/Jean-Yves Lormeau
Third Movement: Florence Clerc/Patrick Dupond
Fourth Movement: Karin Averty/Manuel Legris
First Movement: Karin Averty/Laurent Hilaire
Second Movement: Elisabeth Platel/Jean-Yves Lormeau
Third Movement: Isabelle Guerin/Patrick Dupond
Fourth Movement: Fabianne Cerruti/Manuel Legris
(I hope I haven't murdered any names; sometimes I can't read my own writing two decades later.)
The performance on the 16th was memorable, because the very glassy-eyed women next to me shrieked the throughout Dupond's performance and glared at me for not matching her enthusiasm. I was used to NYCB protocol, which was to wait at least until the end of the variation to go wild.
I remember three things in particular -- the costumes for each movement were a different color, instead of the all-white NYCB costumes, I liked Karin Averty very much in the first movement, and the second movement seemed very different and flatter than the mid-80's NYCB version. I was trying to imagine the dancer behind the original choreography, but couldn't, unlike in the Symphony in C second movement.
Posted 24 September 2003 - 12:34 AM
atm711, yes I have seen Jude (the last time being a few months ago in "Icare", he's now 50 but still dancing), but not as much as I'd like... It's interesting to read that "Suite en blanc" was not well received then, as far as I know it was very successful in France, and was one of Lifar's most often performed works. Well, now, all of his works seem to be forgotten by the company (I've heard that's partly because Hugues Gall doesn't like Lifar's works and so refuses to program it), but when I saw it in 1996 I really liked it (especially Lalo's score).
Posted 04 October 2003 - 02:22 PM
I'd hate for any of the 3 versions to be lost and I'd hate to think any organization would stop it from being performed because it is not Balanchine's last thought on the ballet.
Well, I'm sorry to say, but in the program of the Paris Opera's Balanchine triple bill, it says "this new production is danced in the New York City Ballet's black and white version, just as the choeographer ultimately envisaged it." Now, it is true, this is what is written, the official reason for giving Symphony in C instead of le Palais de Cristal, maybe there are some other reasons too.
Posted 04 October 2003 - 07:17 PM
Posted 04 October 2003 - 07:37 PM
I have to say I was one of those who did not like her in everything -- and in the second movement of Symphony in C I found her disappointing -- so beautiful and elegant that she raised fantastic hopes, which then were not satisfied, for she was not musical.
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