Posted 09 July 2003 - 12:02 PM
Also, could someone please tell me the source of the Carnival in Venice pas de dix. A friend told me it might have been inserted in a Satanella revival, but that he wasn't entirely sure.
With all good wishes
Posted 09 July 2003 - 12:14 PM
Posted 09 July 2003 - 01:57 PM
Posted 09 July 2003 - 04:01 PM
Posted 09 July 2003 - 04:32 PM
it will be good to have someone at this board from SA, as we hear little from your area, and i know things are very difficult at present. (i recently met dawn weller, who has moved from your territory to mine.)
Posted 09 July 2003 - 05:38 PM
Comments on Le Talisman I have found:
....the pas de deux from "Le Talisman", a lost ballet of which only this excerpt had lived. It was the creation of Marius Petipa (creator of "The Sleeping Beauty", "The Nutcracker", "Swan Lake", and "La Bayadere" among others) and is a real treat to 19th century ballet fanatic.
...The Talisman pas de Deux is a rarity, a snippet of Petipa that survives where the rest of the ballet is lost. ... this did seem to be music made for dancing, and more interesting than some other 19th century ballet music like Bayadere that survives.
Posted 09 July 2003 - 06:13 PM
Posted 10 July 2003 - 04:37 AM
I don't remember the context other than he was supposed to be a god of the winds or somthing: there was a deliberate cotrast in styles between the boldness of his steps and the extreme delicacy of hers.
I don't know if this was staged specifically for Mukhamedov - maybe The Talisman or excerpts are still performed in Russia ?
Posted 10 July 2003 - 10:01 AM
Posted 10 July 2003 - 11:05 AM
Doug has said what I would have about the summary in Beaumont of the PETIPA version. However, the later version of LE TALISMAN, the one Nijinsky danced in was not Petipa's staging per se, but a re-staging in '09 by Legat. See the following:
Talisman : Chor: Nikolai Legat; mus: R. Drigo; scen: Orest Allegri; cos: Aleksandr Shervashidze. First perf: St. Petersburg, Maryinsky Theater, Nov 29, 1909.
here the Petipa credits:
Talisman : Chor: Marius Petipa; mus: Riccardo Drigo; lib: K. A. Tarnovsky and Petipa after the fairy play La fille en l'air; scen: Henrykh Levot, Matvei Shishkov and Mikhail Bocharov; cos: Evgenii Ponomarev. First perf: St. Petersburg, Maryinsky Theater, Jan 25, 1889 (O.S.)
apparently the role that Nijinsky assumed, in 1910, that of the original ballet's Zephyr but that Legat renamed as Hurricane, was first danced by E. Cecchetti.
In the later version, Legat's, Nijinsky was costumed (and photographed - see Lincoln Kirstein's NIJINSKY DANCING, among other sources) as a kind a hindu Brahmin - very much the persona he had as Fokine's Favorite Slave in PAVILLON D'ARMIDE - in fact Fokine who danced the role of the Rajah in Legat's TALISMAN found the similarity too close for comfort and was put out by this copycat idea from a ballet of his. (I assume the plot as given in Beaumont was more or less retained by Legat.) One contemp. review of Nijinsky's performing found the stage of the Maryinsky too small for his air-borne dancing, and another expressed real enthusiasm for his expressive mime in performing the role.
As you'll see in the libretto, the Hurricane character is essentially the protector to the goddess who comes to earth and loses her talisman (and her heart) to a mortal. (If alexandra's site here has the capability and the interest I can send a post card from the era of Samuil Andreanov - Balanchine's teacher - in what I take to be the role of the Rajah.)
As you may have learned, the subtitle of LE TALISMAN, was LA FILLE EN L'AIR and Mathilda Felixovna Kshessinska played the leading role of Niriti (she danced the production Nijinsky was part of; the original Niriti in Legat's version was Olga Preobrajenska.) [when my scanner gets set up i could scan a picture of M.F.K. as Niriti or you can look in Shmakov's "Great Russian Dancers" book, in the Kshessinska section, where two photos erroneously captioned as being from PAVILLON are in my opinion really from TALISMAN.
all this to suggest that if any pas de duex lasted into the soviet era it was more likely the Legat version rather than the Petipa, tho' how much Legat retained of the previous Petipa staging I cannot say. So when the Soviet or post-Soviet programs put on LE TALISMAN it's probably in some recension of Legat's ballet as much or more than of Petipa's.
hope this helps.
Posted 10 July 2003 - 08:25 PM
Posted 12 July 2003 - 08:26 AM
Here's his identification information:
The first is kshessinska as Niriti.
The second is Samuil Andreanov as the Maharajah of Lehore (pinned w/ what i
take the eponymous 'talisman')
[both are educated (?) guesses on part as to identifcation.]
Kschessinska is in this post. Andreanov will be in the next.
Posted 12 July 2003 - 08:26 AM
[scan removed for possible reposting elsewhere]
Posted 12 July 2003 - 10:11 AM
Posted 12 July 2003 - 10:27 AM
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases: