Michael Corder's new ballet for the English National Ballet, Melody on the Move, is reviewed by Debra Craine in the London Times.
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Corder’s sweet choreography is infused with the spirit of West End musicals and the glamour of Hollywood, but he hasn’t neglected his roots. Melody on the Move is a full-blown classical divertissement in disguise, which could almost have stepped straight out of the 19th century were it not for the aprons and rubber gloves.



